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the sale was. followed twit 
Bf by a numerous, th Pons: 

ere good. 
ice was $580, paid by i M. 
No. 105, a set of twenty- 
1 drawings by Angelica 
Mr. Baxter also gave $140 
two antique ‘silver plated 


and seiichh "$320. for No, 183, | 
‘aits attributed to Mignard, 
or No, 173a, an eighteenth cen- 
eh portrait. 

“aie agent, paid $190 for 


“ie gave $110 for No. 92, @ 
1d pendant. J. K. Johns paid 
0. 95, a French gold snuff- 
. Miller bought" No, 96, a Louts 


$210* fr No. 111, a set of 
terminal figures. H. §. Chase 
80 for No, 125, a set of Venetian 
, and Miss Pruyn gave $130 


& Co. paid $105 for No. 185, a pair 
Italian chandeliers, and $115 for No. 
han:fng chandelier. Knoedler & 
Grace Wood paid $110 for No. 
‘ No, 185, ‘Rébecca at the Well.” 


ie The sag se continue tosmays 


te 


box, for $300, and Ogden Cod-. 


0. 137, a French hanging clock. 


vave $105 for No. 167, an old French 
‘eighteenth century portrait, and | 


‘total for the afternoon's sale was, 


® 


| Ie ‘ % 
ON FREE PUBLIC VIEW 
9 A.M. UNTIL 6 P.M. 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


FROM THURSDAY, JANUARY 3lst, 1918 
UNTIL THE DATE OF SALE, INCLUSIVE 


THE 


CLYDE FITCH 
COLLECTION 


i : 
| TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


ON TUESDAY AND WEDNESDAY AFTERNOONS 
FEBRUARY 5TH AND 6rTu, 1918 
AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH 


| 
| 


BEGINNING AT 2.30 O’CLOCK 


annrell 
Collection Clyde Fitch 
8 at t Art Associat New 
February 5-6, 1918. 
Prices. Buyers. 
& 37.50 Mrs.John R. De Witt 

52.50 JeM,. Baxter | 

BR. Grace Wood 
105. M.Knoedler & Co. 
110. Grace Wood 
De Mrs. Guy Currier 
30+ Grace Wood 

55. Emil Feffercorn 

French School 2906 JeM. Baxter 
i] ¥® 290. tt 

32.50 C.V. Miller 

90. Emil Feffercom 
105. 3 m 
105. ? ‘i 

45. Grace Wood 
320. Jeol. Baxter 

90- Emil Feffercarn 
160. Grace Wood 

50. Emil Peffercorn 
De Mrs. Guy Currier 
30. S.J. Frank 

45. Donn Barber 


65. Mrs. Guy Currier 


CATALOGUE 


OF THE 


VALUABLE ART PROPERTY 


ANTIQUES, CURIOS AND ARTISTIC 
OBJECTS OF UTILITY 


REMOVED FROM THE RESIDENCE OF THE NOTED 
PLAYWRIGHT, THE LATE 


CLYDE FITCH 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
FOR THE BENEFIT OF THE ACTORS’ FUND OF AMERICA 


BY DIRECTION OF 
FRANK E. WHITMAN AND BERNARD M. L. ERNST 
EXECUTORS OF THE LATE 
MRS. ALICE M. FITCH 


AT THE AMERICAN ART GALLERIES 


ON THE AFTERNOONS HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
AND HIS ASSISTANT, MR. OTTO BERNET, OF THE 
AMERICAN ART ASSOCIATION, MANAGERS 
MADISON SQUARE SOUTH, NEW YORK 
1918 


THE AMERICAN ART ASSOCIATION 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


CONDITIONS OF SALE 


1. Any bid which is merely a nominal or fractional advance 
may be rejected by the auctioneer, if, in his judgment, such bid 
would be likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dispute 
arise between two or more bidders, the auctioneer shall either de- 


cide the same or put up for re-sale the lot so in dispute. 


3. Payment shall be made of all or such part of the pur- 
-chase money as may be required, and the names and addresses of 
the purchasers shall be given immediately on the sale of every lot, 
in default of which the lot so purchased shall be immediately put 
up again and re-sold. 

Payment of that part of the purchase money not made at 
the time of sale shall be made within ten days thereafter, in de- 
fault of which the undersigned may either continue to hold the 
lots at the risk of the purchaser and take such action as may be 
necessary for the enforcement of the sale, or may at public or 
private sale, and without other than this notice, re-sell the lots 
for the benefit of such purchaser, and the deficiency (if any) aris- 
ing from such re-sale shall be a charge against such purchaser. 


4. Delivery of any purchase will be made only upon pay- 
ment of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 
9 A. M. and 1 P. M., and on other days—except holidays— 
between the hours of 9 A. M. and 5 P. M. 

- Delivery of any purchase will be made only at the American 
Art Galleries, or other place of sale, as the case may be, and only 
on presenting the bill of purchase. 

Delivery may be made, at the discretion of the Association, 


of any purchase during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases is a business 
in which the Association is in no wise engaged, and will not be 
performed by the Association for purchasers. The Association 
will, however, afford to purchasers every facility for employing 
at current and reasonable rates carriers and packers; doing so, 
however, without any assumption of responsibility on its part 
for the acts and charges of the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the 
purchaser. Title passes upon the fall of the auctioneer’s hammer, 
and thereafter, while the Association will exercise due caution in 
caring for and delivering such purchase, it will not hold itself 
responsible if such purchase be lost, stolen, damaged or destroyed. 

Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

7. Guarantee is not made either by the owner or the Asso- 
ciation of the correctness of the description, genuineness or au- 
thenticity of any lot, and no sale will be set aside on account of 
any incorrectness, error of cataloguing, or any imperfection not 
noted. Every lot is on public exhibition one or more days prior 
to its sale, after which it is sold “fas is” and without recourse. 

The Association exercises great care to catalogue every lot 
correctly, and will give consideration to the opinion of any trust- 
worthy expert to the effect that any lot has been incorrectly cata- 
logued, and, in its judgment, may either sell the lot as catalogued 
or make mention of the opinion of such expert, who thereby would 
become responsible for such damage as might result were his 


opinion without proper foundation. 


AMERICAN ART ASSOCIATION, 
American Art Galleries, 


Madison Square South. 


, Pees . 
ze Ta 
pec ee ee : 


FIRST AFTERNOON’S SALE 


TUESDAY, FEBRUARY 5, 1918 


AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 0’CLOCK 


Catalogue Nos. 1 to 190, inclusive 


ENGLISH, DUTCH, FRENCH SILVER . 
AND PLATED WARE 


1—Two ENAMELED SILVER Spoons 
(a) Circular bowl, with long twisted handle, the 
shield-shaped top enameled with device. 
(s) Long oval bowl, with handle finished with tur- 
quoise bead. London Hall Mark. | 


2—THIRTEEN DutcH SILVER SPOONS 


Five with long twisted handles, with figure termina- 
tions. Eight with short twisted handles. 


83—Dutrcu Foutpinc Fork AND Spoon AND CHINESE 
SHEATH KNIFE Eighteenth Century 


(a) Spoon with plated bowl and hinged handle of 
steel incised with pattern, fork with three steel tines 
and hinged pistol-butt handle of mother-of-pearl and 
metal incised with a floral pattern. In old leather case. 
(s) Green shagreen case bound with brass and tipped 
with ivory. Fitted with knife with horn handle, riveted 
with brass and two brass bodkins with eagle and 


pheasant terminations. 


First Afternoon 


4-—_E LEVEN FreNcH SILVER OystTER Forks 
Nineteenth Century 


Scrolled handles, with heart-shaped tines. 


5—ELEVEN GERMAN Knives AND Forks 


Ivory handles, with silver collars and ends. Straight- 
bladed knives and three-tined forks. 


6—EIcHTEEN GERMAN SILveER Hanpiep KNIVES AND 
Forks 
Scrolled handles; twelve knives with curved steel 
blades, six of which are plated, and six forks with two 
steel tines. 


Y—Five GerMan PorcevAIn Hanpuep KNIVES AND 
OnE SPoon 


Cylindrical handles painted with Chinoiseries ; knives 
with curved steel blades. Spoon with bowl engraved 
“C.F. Augsburg, August 1899.” In old leather case. 


8—EncuisH Knives anp Forks 


Fifteen large knives and forks and ten small forks. 
The handles are of ivory green-stained, and some 
with silver mounts. Twenty-five pieces. | 


9—THIRTY-THREE DINNER KNIVES 


To match the preceding. 


10—Two EnceuisyH Sitver Sauce LApLes 


Engraved handles and circular bowls. Made by Joseph 
Lejeune. One with London mark and date letter for 
1778; one with London mark and date letter for 1783. 


First Afternoon 


11—Earty American Sitver Sroon anp Two Tirrany 
Sucar Tones 
(a) Fiddle pattern spoon with pointed bowl, engraved 
“R. F.” Maker’s-mark, “‘F. O.” 
(3) Sugar tongs, with bird’s-talon claws. 


12—Set or EnewisH Puatep Tasre Sitver or Firry 
PIECES 
Shell and king’s pattern. Set consists of: nine table 
spoons, eight dessert spoons, fifteen large forks, nine 
small forks and one sauce ladle. 


138—Pair or Sitver Murrineers anp Piercep TEa- 
STRAINER 
Hexagonal vase-shaped muffineers, with removable top. 
Basket-shaped tea-strainer repoussé with scrolls and 
escutcheons. 


14—Frencu Sitver Mustarp Por 
Urn-shaped, with body pierced in a pattern of acan- 
thus-leaf scrolls and medallioned masks. Domed 
hinged lid, with pointed finial, flat looped handle and 


circular foot. Blue glass line. 
Height, 414 inches. 


15—Parr or Encuisu Sitver Sart CEeLiars 
Eighteenth Century 
Oval boat-shaped bodies. Engraved with Greek key 
pattern and oval wreaths, on four fluted and scrolled 
feet. Blue glass liners. Made by Robert Garrard. 
London mark and date letter for 1808. 


First Afternoon 


16—THree Parr FrencH SItver SALtt CELLARS 


(a) Tripod stand with eagles’ heads, goats’ hoof feet 
and engraved rim. Cut white glass liners. 

(s) Tripod stand, with goats’ heads and hoofs and 
beaded rims. White glass liners. 

(c) Tripod stand, with caryatid figures and ring 
pierced with oval medallions. Cut white glass liners. 


17—GeERMAN SinveR CrEAM Ewer Aanp Bonson DisH 


Ewer with spherical body, curved spout and scrolled 
looped handle. Repoussé with floral festoons, scrolled 
cartouche and rocaille borders. 

Dish of oval shape with scrolled rim, scrolled pro- 
jecting handles and four curved legs. Repoussé with 
birds, scrolls and cartouches. | 


18—GeERMAN SILVER BEAKER AND ENGLISH SILVER CREAM 
Ewer : 

(a) Incurved sides with dotted pattern of flowers 

and leaves. Gilt rim and circular fluted foot. In- 


terior gilt. Eighteenth century. Munich mark and 


maker’s mark, “L. G. W.” | 
Height, 4 inches. 


(s) Helmet-shaped, with ribbed loop handle, curved 
pointed spout and square foot. Nineteenth century. 
Chester mark, with the date letter for 1808. 


Height, 5 inches. 


19—Swiss Sinver Cream Ewer 


Oval shape, with straight tapering sides, curved spout 
and flat looped handle. Engraved with bands of 
twisted ribbon patterning. Maker’s mark, “*W.” 


Height, 4 inches. 


First Afternoon 


20—ENGLIsH SILVER SUCRIER Nineteenth Century 


Oval shape, with curved sides, reeded rim, reeded 
looped handles and oval reeded foot. Decorated with 
engraved band of looped ribbon patterning and with 
monogram “I.H.V.” in oak-leaf wreath. London mark, 
with date letter for 1807. 


Height, 4 inches; length, 7 inches. 


21—Four Enexisu Sitver Toast Racks 
| Eighteenth Century 
Oval frames, with semi-oval racks and ring looped 


carrying handles.. Chester marks, with date letter 


for 1727. 
Length, 4 inches. 


22—DutcH SILVER SUCRIER Eighteenth Century 
Oval-shaped body, repoussé with bands of laurel and 


acanthus leaves. Domed lid, with flower finial repoussé 
with pointed leaves and band of acanthus leaves. On 
four curved feet. Engraved, on bottom, “S. R.” 


Height, 51% inches. 


23—Danisu Sitver Cuocorate-por Eighteenth Century 


Pear-shaped body, with hinged domed lid, flower and 
leaf finial, three curved legs with spoon feet and 
straight projecting wooden handle. Front engraved 
with scrolled shield surmounted by a coronet and 
charged with a coat-of-arms. Maker’s mark, “A. P. 


Ley iy Rae 
Height, 8°4 inches. 


ria, 


First Afternoon 


24—FrencH SILVER COFFEE-POT 
Early Nineteenth Century 


Pear-shaped body, with band of striped patterning; 
incurved neck and rim, with band of honeysuckle pat- 
terning, domed hinged lid with acorn finial, carved 
spout with horse’s head termination, circular foot, and 


wooden looped. handle. 
Height, 10 inches. 


25—ENGLIsH SILVER-PLATED CHAMBER CANDLESTICK 
Eighteenth Century 
Shaped looped stem, with snuffer tray and two curved 
scrolled arms ending in vase-shaped candle sockets, 
circular molded and escalloped foot and shaped flat 
handle. Of brass, silver-plate at a later date. 


Height, 71/, inches. 


26—Dutcu Sitver Box 


Oval shape, with sides boldly repoussé with roses, 
leaves and acanthus-leaf scrollings; hinged lid repoussé 
with birds, roses and scrolls and with gauffered rims. 


Height, 2 inches; length, 61, inches. 


27—GERMAN SILVER STAND Eighteenth Century 
Rectangular shape, with rounded corners and molded 
rim. The center repoussé with birds and flowers sym- 
metrically disposed. Gauffered rim and four paw feet. 
Back engraved “G. B.” 


Length, 81% inches; width, 6 inches. 


28—THREE SitvER PHorocrapH FRAMES AND SILVER- 
PLATED Marcusox 
Rectangular frames, one engraved. Box with hinged 
lid and engraved decoration. 


| 
| 


sr ee 


7 


First Afternoon 


29—Parr OF SILVER-PLATED CANDLESTICKS 
Oval baluster-shaped stems, with vase-shaped sockets, 
square gadrooned bobéches and square molded and 


gadrooned feet. 
Height, 714, inches. 


30—Parr oF Dutcu Sinver Casters 
Baluster-shaped bodies, decorated with panels of 
checkered diaper rings and a band of scrolled pattern- 
ing. Dome-shaped, pierced covers and with pineapple 
finials; circular acanthus-leaf repoussé feet. 


Height, 81%, inches. 


31—EnNGcLisH SHEFFIELD PLatep TEAPotT 
Early Nineteenth Century 
Boat-shaped molded body, with gadrooned edge, 
hinged domed lid and curved gadrooned spout, ball 


feet and wooden handle. 
Height, 6 inches. 


32—Encuisu SHEFFIELD PLarep Hor-water Jue 
Nineteenth Century 
Pear-shaped body with curved spout, hinged domed 


lid, looped handle and circular foot. 
Height, 814, inches. 


33—FRENCH SILVER-PLATED STAND AND Cover 
Molded body, with escalloped rim, and domed cover 
on triple dolphin stem and circular molded and reeded 


foot. 
Height, 10 inches. 


34—Frencu Sitver-PLATED Hor-water, Disu 
Coupe-shaped body, with beaded edge, domed cover 


and lines. On circular foot and stand. 


Height, 8 inches. 


Furst Afternoon 


35—SILvER CoFFEE-POT AND MILK JuG 


(a) Vase-shaped body, with hinged domed lid, acorn 


finial curved spout, ebony handle and circular beaded 


foot. 


(B) Vase-shaped body, with pointed beaded spout, 
ebony handle and circular beaded foot. 


Height, 121, inches. 


36—ENcLisH SHEFFIELD PLaTED Hot-watrer Urn 
Eighteenth Century 
Square body, with domed cover and two ring handles 
with lions’ head masks, and curved top. On four 
curved legs with paw feet, square incurved stand and 
ball feet. Vase-shaped spirit lamp. Front engraved 


with shield enclosing crest. 
Height, 1444 inches. 


37—SiLvER Bow. Nineteenth Century 


Coupe-shaped, with fluted sides having two oval 
scrolled cartouches. Scrolled ‘Monteith’ rim, with 


cherubim heads at intervals and corrugated ground. 


Height, 6 inches; diameter, 834 inches. 


38—Two SHEFFIELD AND SILVER-PLATED CANDLESTICKS 
Eighteenth and Nimeteenth Centuries 


(a) Oval columnar stem with lotus-leaf enrichment, 
oval molded foot and vase-shaped socket. Sheffield 
plated. 
(s) Fluted columnar stem, with circular fluted foot 
and vase-shaped socket. Both fitted for electric 
light. 

Heights, 10 inches. 


ee ee a eee, 


First Afternoon 


39—Two EncuisH AND FRENCH SILVER-PLATED PLATTERS. 


(a) Circular, with curved rim. French. 
(s) Oval, with shaped rim and molded edge. Eng- 
lish. 


Diameter, 12 inches; length, 14 inches. 


40—ENcGLIisH SHEFFIELD PLatep PLaTEeau 
Eighteenth Century 
Rectangular shape, with molded corners, molded and 
cable patterned rim, and four paw feet. Top formed 


of mirror. 
Length, 14 inches; width, 111% inches. 


41—ENcusH SILVER-PLATED SALVER 
Nineteenth Century 


Circular shape, with reeded edge, on four curved and 


scrolled feet. 
Diameter, 16 inches. 


42—-T wo SILVER-PLATED 'TRAYS 


(a) Oval shape, with acanthus-leaf scrolled edge, 
scrolled carrying handles and engraved center. 

(s) Circular shape, with rim pierced and modeled in 
a pattern of masks, figures and animals. On four 
dolphin-head and acanthus-leaf feet. 


Length, 29 inches; diameter, 22 inches. 


43—FrencH SILver-PLATED Mirror Eighteenth Century 


Rectangular-shaped molded frame, the mitres con- 
cealed with applied leaves. Cresting shaped and em- 
bossed with a design of a center oval medallion flanked 
by scrollings, festoons of flowers and leaves and bowed 


ribbons. 
Height, 1414, inches; width, 1234 inches. 


First Afternoon 


44—Srr or Four Frencu Sinver CaNnpDLESTICKS 
Eighteenth Century 
Baluster-shaped stems, with moldings enriched by 
bands of egg and dart, acanthus-leaf and floral deco- 
ration. Lotus-leaf bobéches and circular molded and i 
acanthus-leaf feet. Maker’s mark, “G. R.” 


Height, 13 inches. 


45—Patrr or EncuisH SHEFFIELD PLATED CANDLESTICKS 
Early Nineteenth Century 


Egyptian columnar stems, with fluted capitals form- 
ing candle sockets and fluted circular feet. Fitted 


with molded flame finials. 
Height, 181, inches. 


46—ENcLisH SHEFFIELD PLATE CANDELABRUM 
Nineteenth Century 
Baluster-shaped stem, enriched with flutings and acan- 
thus-leaf scrollings and circular molded and acanthus- 
leaf scrolled feet. Fitted with two curved and scrolled 
branches, with vase-shaped candle sockets and center 


candle socket to correspond. 
Height, 191, inches. 


47—FrRENCH SILVER-PLATED CANDELABRUM 
Nineteenth Century 


Tapering columnar stem, with vase-shaped socket and 
circular beaded foot. Fitted with four twisted, reeded 
branches for candles, with vase-shaped sockets and 
beaded bobéches. Flame center finial. Fitted for elec- 


tric light. 
Height, 26 inches. 


First Afternoon 


MISCELLANEOUS GLASS AND PORCELAINS 


48—Set or Six German ENAMELED Guass BEAKERS 


Straight tapering sides, enameled in red, blue and 
yellow, with leaves, rosettes and bands. 


49—Dutcu Grass Sucrier Eighteenth Century 
Oval-shaped bowl, with vertical handles on diamond- 
shaped stepped foot. Bowl and foot cut and en- 
graved with fluted band and festoons. 


Height, 6 inches. 


50—Pair or EncuisuH Cut-ciass Bowns with Covers 


Globular-shaped bowls, with removable lids, ball finials 
and circular feet. Cut with large diamonds and hob- 
nailing. 

Height, 10 inches. 


51—Parr or Warterrorp Giass Vases AND Covers 
Urn-shaped, with domed lids, spearhead finials and 
square stepped feet. Cut in flutings and diamond- 


shaped facetings. 
Height, 1214, inches. 


52—-Sert or Turee Irauian Porrery VASES AND COVERS 


Urn-shaped bodies, with removable domed lids, acorn 
finials, scrolled looped handles and circular feet. In- 
vested with a white glaze and decorated with raised 
drapery festoons in red and yellow and with blue bands. 


Height, 714, inches. 


58—Ser or THREE [rattan Potrery VAsES AND COVERS 


Similar to the preceding. 
Heights, 12 and 91% inches, 


First Afternoon 


54—Set or Two Iranian Pottery VAsEs AND COVERS 


Similar to the preceding. 
Height, 12 inches. 


55—Roven Farence Disy 


Shaped as three shells, with twisted looped carrying 
handle. Decorated, on a white ground, with figures of 
peasants and floral borders painted in colors. 


Height, 5 inches; diameter, 12 inches. 


566—Set or Four Irawan Masouica PLATES 


Circular shape, with scalloped edges. Painted with 


subjects of Amorini in landscape. 
Diameter, 51/, inches. 


57—Set or Twexve Irauian Masozrica Disues, PLATEs 
AND SAUCERS ae 
Circular shape, with pierced rims. Decorated in blue, 
green and yellow with floral festoons and detached 
floral sprays. Set consists of four plates, two dishes 
and six saucers. | 


58—Pair or Iranian Magourica Busts 
Busts of Dante and Beatrice. Dante in a brown coat 
and Beatrice in a blue robe. Glazed in colors. 


Height, 7 inches. 


59—Frencu Potrery Basket 
Oval shape, of twisted wickerwork pattern, with 
bunches of grapes and vine leaves and two hanging 
ring handles. Glazed white. 


Height, 61% inches; length, 9 inches. 


_ 
a 


First Afternoon 


60—Parir or LEEps Ware Vases witH Hanpies 


Urn-shaped, with pear-shaped bodies decorated with 
raised festoons, incurved pierced necks and leopard’s 
head projecting handles. On cylindrical stands deco- 
rated with masks and scrolls. 

Height, 12 inches. 


61—Iratian Guazep Trrra-cotta VASE 
Eighteenth Century 
Urn-shaped, with gadrooned body decorated with 
laurel-leaf festoons and masks, incurved neck with 
band of laurel leaves, flame finial and circular foot. 


Of terra-cotta glazed in white. 
Height, 28 inches. 


62—Ser or Four Frencu Porcerain VAsEs 
Urn-shaped, with projecting handles formed as heads. 


Bodies decorated with festoons and wreaths. Square 


feet. Glazed in white. 
Height, 5 inches. 


63—Ser or Turee Caro pt Monte Porcerain Ficures 
Figures of Amorini seated, one holding fruits, one 
flowers and one a butterfly. On rocky bases. (All 


repaired. ) 
Height, 51% inches. 


64—Ser or Four Caro pt Monte Porcenain FIGURINES 


Figures of three shepherds and shepherdesses, hold- 
ing flowers, and a gardener with watering pot. On 
circular bases. Glazed in white. (Two faulty.) 


Height, 8 inches. 


First Afternoon 


65—Patr or Capo pi Monte Porcenamn Ficure&s 


Figures of a youth and a maiden. The former squeezes 
a bunch of grapes into his mouth and rests one hand 
on the head of a leopard. The latter holds a dart, 
while an Amorino with other darts kneels at her side. 


On rocky bases. Glazed in white. 
Height, 91/, inches. 


66—Parr or FreEnNcH Potrrrery Busts 


Portrait busts of females symbolic of Autumn and 
Winter. One with grapes and vine-leaf wreath, the 
other with fur cap. Glazed in cream color. On square 


marble pedestals. 
Height, 8 inches. 


67—Set or Four German Porrery FIGureEs 


Classic figures, of two nymphs, and two of youths 
holding cornucopie. Cylindrical pedestals, decorated 
with masks and scrolls. Glazed in white. (All re- 


paired.) Mark, crossed swords. 
Height, 1114 inches. 


68—THree FrencH PorceELAIn AND Potrery ‘TorLetT 
Boxes 


Shaped as ladies in crinolines and flounced skirts. 
One with muff and bonnet, one with fan, the third in 
pottery, with dark brown skirt and fan. (Two re- 
paired. ) 

Heights, 914, 8 and 71/4, inches. 


69—Pair or Frencu Porcerain Ficures 
Figures of a youth and a maiden. The former, with 
square-cut flowered coat and black hat, sits on a tree- 
trunk with a dog at his side; the latter, with blue 
bodice and flowered skirt, sits on a rock with a lamb 
at her side. (One repaired.) Guilt anchor mark. 


Height, 1014 inches. 


First Afternoon 


70O—Parr or GERMAN PorcCELAIN Ficures 


Figures of a youth and a maiden. The former, in 
green coat and rose-colored hat, sits on a rock with 
a dog by his side; the latter, with lemon-colored bodice 
and flowered skirt, sits on a rock with a lamb at her 
side. On pierced and scrolled gilt bronze bases. Mark, 


crossed swords in blue. 
Height, 12 inches. 


71—GeERMAN PorcELAIN GROUP 


Figures of a youth and a maiden. The former, in 
a rose-colored coat and brown knee breeches, ap- 
proaches a tree-trunk on which the latter, in green 
bodice, flowered skirt and bare feet, is seated asleep. 
On the ground is an overturned basket of flowers. On 
oval gilt scrolled base. One hand missing. Mark, 


crossed swords in blue. 
Height, 1114, inches. 


72—-Patr oF PorcELAIN OraNGE TREES 


Miniature orange trees of colored porcelain, with 
fruits and flowers, in square tubs decorated with gilt 
wreaths and floral sprays on a white ground and with 


gilt finials. 
Height, 12 inches. 


73—Guass FrowrerR VASE AND PorcEeLAIN FLOWERS 


Vase of cylindrical shape with spreading rim, of blue 
glass in container formed of gilt brass rods. Flowers 
and leaves of porcelain naturalistically colored on 


wire stems. 
Height, 1014 inches. 


74—Parr or IrauiAN Masozrica Cups AND SAUCERS 


Scalloped rims decorated, on a white ground, with 
scrolled borders in yellow and floral festoons in colors. 
Mark, rooster in brown. 


First Afternoon 


75—Set oF Five Encuish Cuina Cups And SAUCERS 


Decorated, on a white ground, with green borders and 
floral sprays in the Chinese manner. 


76—Two Frencu PorcentAIn Cups anp: SAUCERS 


(a) Cup, with scrolled handles, decorated on a rose- 
colored ground with medallion of white reserve, with 
gilded borders. Gilt lined. 

(B) Cup decorated, on a blue ground, with jeweled 
medallions. (Repaired.) 


77—Vienna PorcELAIN CHOCOLATE Pot anp Cups 


Pot with pear-shaped body, scrolled handle, domed 
cover and pear finial; shaped cups, with twisted han- 
dles. Decorated, on a white ground, with medallions 
enclosing roses on dark red grounds and borders of 
imbrications. in rose color. (Chipped.) Mark, 
shield in blue. : 


78—EncuisH Cuina Tra SERVICE 


Decorated, on a white ground, with floral groups and 
sprays surrounded by checkered rose-colored borders 
in the style of Chinese Lowestoft. Set consists of 
teapot, cream ewer, waste bowl, two cups and saucers 
and two small plates. 


79—THREE VIENNA PORCELAIN CHOCOLATE-POTS 


Pear-shaped bodies, looped handles and pointed spouts. 
Two decorated with bands on canary color, floral fes- 
toons and gilt scrolls. One with band of rose color, 
spade-shaped panels of white reserve with sepia views, 
and with floral sprays. (One handle faulty and one 
cover missing.) } 


First Afternoon 


80—FrencH Porcetain Correr SET 
Pear-shaped bodies; coffee-pot with curved spout and 
sucrier with domed cover. Decorated, on a dark rose- 
colored ground, with gilt flutings and leafage borders. 
Set consists of coffee-pot, sucrier and cream ewer, six 
cups and eight saucers. 


81—Ser or Exveven Enerisu Sart Graze Prates 
; Eighteenth Century 
Circular shape, with shaped edges and rims, deco- 
rated with panels of raised diaperings. 


Diameter, 10 inches, 


82—EwneutsH Cuina, Taste Servic—E or Eicury-Four 
PIECES 
Octagonal-shaped plates. Decorated, on a _ white 
ground, with gilt edges, borders of flowers, leaves and 
blue panels, the centers with floral sprays. All in the 
Chinese manner. Set comprises plates, platters, cov- 
ered dishes, cups and saucers. 


MISCELLANEOUS OBJECTS 


83—Five Pieces oF ORNAMENTAL Bronze AND Brass 
(a) Two French furniture mounts of bronze shaped 
as Putti. 
(zs) Gilt bronze finial of Venus and Cupid. 
(c) Italian furniture mount of leopard’s mask. 
(p) Italian Crucifix with decorative cross. 


84—Four Ficures or Guass, MarsLE AND Woop 
Eighteenth Century 
(a) Two German figures of saints in colored glass. 
(3) English colored alabaster figure of lady in red 
dress with fan. 
(c) Dutch carved, painted and gilded wood figure 
of an angel carrying a cornucopia. 


First Afternoon 


85—“Tiny” VoLUME 


“Bryce’s Thumb English Dictionary.” Glasgow. In 
cloth binding, the front embroidered in silk with Eng- 


lish Standard and Crown. 
21, by 1% inches. 


86—Two Russtan Miniature Ort Parintines 
Sixteenth Century 
(a) Small Russian triptych, of oak. Center panel 
with painting of Crucifixion, the Virgin and St. John; 
the hinged wings, with Saints. 
(sp) Russian round-arched tablet of oak painted with 
Madonna and Child. 


87—VIENNESE Brass anp CrysTAL CRUCIFIX 


Cross of rock crystal, with floriations of paste jewels, 
brass figure of Christ and, below, standing figures of 
the Virgin and St. John. On semi-spherical base of 
crystal, with pierced floral border of brass. On three 
spherical crystal feet. 

Height, 10 inches. 


88—Two Frencu Boxes Eighteenth Century 
(a) Rectangular shape, with hinged lid. Set with 
colored engraving of Venus and Cupid. | Sides of 
tortoise-shell patterned paper. 
(Bp) Rectangular shape, with hinged lid, sides and 
top set with looking glass. 


Height, 2 inches; length, 44/, inches. 


89—Parir oF EncuisH TRAVELING PERFUME CASES 


Cylindrical leather cases, each containing three cut- 
glass perfume bottles with enameled silver screw tops. 
One case lettered “C. F.” 


First Afternoon 


90—Pair or Frencu Kip Mittens anp Two Scent Fura- 
CONS 
(a) Early nineteenth century mittens. Of white kid, 
embroidered with silk. 
(8) Cylindrical flacons of white porcelain, painted 
with flowers and with gilt tops. 


91—AntiavE Gop OPEN-FAcE WatcH 
Silvered dial. The case of Oriental workmanship, 
set with sapphires and rubies and with leaves and 
fleurs-de-lis in gold. Works by Moricand and De- 
grange, Geneva. Eighteenth century. 


92— AntiauE Gop PENDANT 
Venetian. Pierced leaf and scroll design and set with 
small rose diamonds. Contains a miniature wax 
group, a saint and a child. 


938—AnTievE Doc CoLLaR witH PENDANT 


Of pierced metal, gilded and enameled and elaborately 
ornamented with small pearls and imitation rubies. 


94—GoLp SNUFFBOX 


Rectangular. Polished surface and with miniature 
portrait of an English naval officer set in the cover. 


95—GoLp SNUFFBOX 
French. Period just after the Empire. Rectangular, 
with cut corners. The decoration consists of grif- 
fins, dolphins, sea-horses and leafy scrolls in gold 
of two colors on a chased ground. 
334 by 21% inches. 


First Afternoon 


96—GoLD SNUFFBOX : 
In the style and period of Louis Seize. Rectangular — 
with hinged lid. In red, green and yellow gold, with 
chisel leaf moldings and chased panels. On the lid 
is the applied initial, A, and royal crown, both in- — 
crusted with rose diamonds and a band of blue enamel. 
Hall mark not clear. rh 
31, by 2%% inches. 
Note: This box is said to have been the property of Marie “ 
Antoinette. 


~97—THREE FreNcH Portrait MINIATURES 


Eighteenth Century 


(a) Painted on ivory. Portrait of lady and me 
(Cracked. ) 

(s) Stipple engraving, colored, of lady in straw bon- 
net. 

(c) Painted on ivory. Portrait of a jaae reading — 
a letter. Ormolu frame. 


98—Two Frencu Boxres Style of Eighteenth Century 


(a) Circular shape. Of rose-colored composition, 
lined with tortoise-shell. Lid set with oval portrait 
miniature of a young woman. 

(8) Circular shape, of green composition lined with 
tortoise-shell. Lid set with circular portrait minia- 
ture of young woman with red hair in muslin cap. 


99—Two Frencu Boxes Eighteenth Century 
(a) Circular shape, of composition, lined with tor- 
toise-shell. Lid set with raised bust portrait of Marie 
Antoinette. 
(s) Circular shape, of black composition. Lid set 
with painting in oil of Venus and Cupids. 


First Afternoon 


100—Two Miniature Picrures 
(a) Oval portrait in oil of a young woman. In carved 
and gilt wood frame. 
(gs) Stipple print in colors of youth and maiden. In 
metal frame. 


101—Wax Portrait anp Bronze MEDALLION 
(a) English early nineteenth century medallion por- 
trait in wax of a young woman in high-waisted white 
dress and wearing a turban. In stamped metal frame. 
(es) Italian bronze oval medallion portrait of Roman 
Emperor. 


102—Turee Miniature Portraits 

Early Nineteenth Century 
(a) Circular portrait of lady with powdered hair. 
(s) Oval portrait of a lady in high-waisted white 
dress. 
(c) Circular portrait of youth in blue military uni- 
form wearing stars and orders. All in ebonized 
frames. 


103—Fovur Framep EncRavINGS 
(a) and (s) Colored fashion engravings of the eigh- 
teenth century. 
(c) Stipple engraving portrait of John Keats. 
(p) Caricature of a “Ball at Almack’s 1815.” In- 
scribed: “To Clyde Fitch from F. Gottschalk. Lon- 
don, 1890.” 


104—EIcHTEEN Warer Cotor SKETCHES 


Studies for costume in one of Mr. Fitch’s plays. 


Signed “A. P.” Uniformly framed. 


First Afternoon 


105—Ser or Twenty-one Orictnat Drawines By An- 
GELICA KaurrMann (1741-1807) 


Studies for pictures in pen and ink washed with sepia, 
one in pen and ink and one in colors. Framed to 
correspond. 


106—I rattan Woopren JEWEL CASKET . 
Eighteenth Century 


Rectangular shape, with hinged and scroll edged lid, 
bowed front and side, on shaped bracket feet. Painted 
in oil colors with figures and scrolls on a green ground. 


Height, 5 inches; length, 914 inches. 


107—Pair or IrauiaAn CarvVED AND GILDED Woop Mirrors 


Oval mirror frame, with pierced scrolled crestings 
on acanthus-leaf carved stems with scrolled and vo- 


luted bases. . 
Height, 12 inches. 


108—Portion or SpanisH MonstTrancr 
Eighteenth Century 


Oval receptacle for host surrounded by paste jewels, 
in rayed frame of brass, with angels, cherubim and 
Sanctus Spiritus Dove above and cornucopie below. 


Length, 111% inches. 


109—Patrr or IrTaLtiaN ALABASTER VASES 


Oval urn-shaped, on square marble bases. 


Height, 51/, inches. 


110—Pair or Iratian MarsieE VASES 


Amphora-shaped vases, with straight looped handles 
of white marble on square gray marble bases. 


Height, 13 inches. 


First Afternoon 


111—Ser or Four Frencu Bronze Terminat Ficures 


Four figures of gilt bronze on tapering columnar ter- 

minations, symbolizing the four Seasons: Spring as 

a maiden, with flowers; Summer as a woman with a 

sheaf of wheat; Autumn as a Satyr with grapes, and 
_ Winter as an old man with fur cloak. 


Height, 13 inches. 


112—MantTet Crock In Git Case 


Porcelain dial with painted hour figures, in square gilt 


metal and glazed case. 
Height, 101, inches. 


GILT WOOD BRACKETS, CANDLESTICKS, 
CRYSTAL WALL LIGHTS AND 
CHANDELIERS 


1138—Parir oF ITALIAN CARVED AND Gitt Woop BRaAckeETs 


Shaped and molded brackets, supported by cherubim. 
Painted and gilded. 


114—Pair or Irarian Carvep anp Girt Woop ConsoLe 
BRACKETS 

Formed as lions’ heads ending in scrolled acanthus 

leaves and supporting circular incurved and gad- 


rooned brackets. Completely gilded. 
Height, 16 inches. 


115—Ser or Four Iranian Carvep, Patnrep AND GILDED 
Woop ConsoLes 

Half-figures of Putti in various attitudes. On scrolled 

and voluted brackets, with festoons and pendants of 

flowers, fruits and leaves painted in natural colors. 


Height, 33 inches. 


First Afternoon 


116—Larce Paintep Heratpic Carvep Woop SHIELD 
Panel, with shield charged with a bend between three 
leopard heads and swords and a motto, “Spes juvat.” 
The Fitch Coat-of-arms. 


117—Fovur Smartt Patnrep HeEratpic CAarvep Woop 
SHIELDS 
To match the preceding. 
The Fitch Coat-of-arms. 


118—Pare or [rattan Carvep, PainTED AND GILDED Woop 
FicuRreEs Seventeenth Century 
“Annunciation” figures on semi-octagonal molded 
brackets, with acanthus-leaf pendants. One repre: 
sents the Virgin kneeling at a prie-dieu with open 
Missal, the other the Angel Gabriel with outstretched 

hands. Gilded with touches of color. 
Height, 2 feet 2 inches. 


119—Patr or Iranian GinpED Woop CANnpDLESTICKS 


One with triangular columnar stems, scrolled and 
voluted feet and circular bases. | 


120—Pair or Irartan GitpED Woop CANDLESTICKS 
Columnar stems; scrolled and voluted feet. Fitted 
for electric lights. 


121—Iranian Carved and GiILtpED Woop CanpLeEsTIcK 
Lamp 
Columnar fluted stem, with circular acanthus-leaf 
carved foot. Fitted for electric light. 


122—Pair Iranian GILDED Stucco CAaNDLESTICKS 
Gadrooned baluster-shaped stems, on incurved gad- 
rooned feet with scalloped bases. Fitted with electric 


light. 
18 Height, 9 inches. 


First Afternoon 


123—Set or Turee [rarian Carvep, Painted anp GILDED 
Woop CanDLEsTICKs 
Columnar stems, carved with pointed leaves; lotus- 
leaf vase-shaped candle sockets, with band of painted 
fruits, gadrooned feet and carved circular bases. 


Height, 21 inches. 


124—Parr oF Iratian Carved Aanp GitpED Woop CanpDLe- 
STICKS _ Seventeenth Century 
Baluster-shaped stems, enriched with acanthus-leaf 
carvings and circular carved bobéches. On tripod 
bases, with scrolled acanthus-leaf feet. Fitted for 


electric light. 
Height, 28 inches. 


125—Set or Srx VENETIAN CarRVED AND GILDED Woop 
Watt. Licuts Eighteenth Century 


Formed as tasseled drapery pendants, hung from 
knotted ribbons and bound with branches of oak 
leaves. Two curved trumpet-shaped arms ending in 
candle sockets. Fitted for electric light. 


Height, 26 inches. 


126—Patrr or Carvep AND GiLpED Woop Wat. Licuts 


Formed as three scrolled branches of acanthus leaves, 
terminating in floral candle sockets. Fitted for elec- 
tric light. 


BRONZE 


127—Ser or Four Bronze Watt Licuts 


Formed as lion-head medallions grasping wreaths of 
laurel-leaf and vase-shaped candle sockets. Fitted 
for electric light. 


First Afternoon 


128—Ser or Four Gitt Bronze Watt Licuts 
Formed as scrolled branches of roses, with leaves and 
buds terminating in candle sockets shaped as roses. 
Knotted ribbons and circular medallions as wall plate. 
Fitted for electric light. 


129—Patir or Gitt Bronze Wau. Licuts 


Formed as rectangular plates, with applied female 
caryatid figures, on bases from which proceed three 


cornucopia-shaped brackets for lights. Fitted for 


electric light. 


180—Pair or Gitt Metat Watt Licuts 


Formed as three scrolled branches, faced with gilded 
acanthus leaves and terminating in floral candle 
sockets. Fitted for electric light. 


181—Turee SMALL CANDLESTICKS 


Gilded wood. Low shape and in two styles. 


182—LANTERN-SHAPED Wat. LicutT 


Of chased and gilded bronze. 
Height, 161, inches. 


1838—Pair or Cut-cuass Wait Licuts 
Diamond-shaped, with mirror backs enclosed with 


bands of cut-glass drops and molded glass rosettes. 


Fitted for electric light. 
Height, 21 inches. 


134—Parr or Gitt Bronze Wart Licuts 


Voluted and scrolled brackets of bronze, terminating 
in fine candle sockets. Hung with cut-glass drops. 
Fitted for electric light. 


First Afternoon 


185—Pair or Irauian CutT-cuass CHANDELIERS 


Baluster-shaped brass and cut-glass stems on cir- 
cular brass feet. Terminating in cut-glass spear- 
heads and fitted with five scrolled branches of brass 
ending in vase-shaped brass candle sockets. Hung 
with pear-shaped glass drops and star-shaped me- 
dallions of cut glass. Fitted for electric light. 


Height, 27 inches. 


136—VeEweETIAN Cut-citass Hancine CHANDELIER 

; Eighteenth Century 
Cut-glass stem, fitted below with nine radiating curved 
brass arms, ending in brass vase-shaped candle sock- 
ets and three voluted brackets; above, with six 
scrolled arms of brass. Hung with glass ball-shaped 
drops, star-shaped cut-glass rosettes and chains of 
cut-glass balls. Fitted for electric light. 


Height, 30 inches. 


187—Frencu GinpEp Bronze Haneirne Crock 
Style of Eighteenth Century 


Enamel dial with Arabic numerals. Case of brass, 
scrolled and festooned with leaves and berries and 
surmounted by a fluted vase. Acanthus-leaf and 


berry drop. Modern movement. 
Height, 24 inches. 


188—Iratian Carvep anv Girt Woop Mirror 
Style of Eighteenth Century 
Oval molded frame, banded with ribbons, surmounted 
by looped ribbons and with pierced and carved acan- 


thus-leaf apron. 
Height, 24 inches. 


First Afternoon 


189—Iratian Carved anp Girt Woop Watt DEcoRATION - 


Carved cherub, with outspread wings. Completely 


gilded. 
Height, 12 inches; width, 32 inches. 


140—American Gitt Mirror 
Empire style. Rectangular shape, with frame of 
turned baluster design enriched with raised orna- 
ments and with rosetted dies at angle. Gilded and 
partially burnished. 


Height, 25 inches; width, 181/, inches. 


141—Frencu Parntep anp Gitt Mirror 
Eighteenth Century 


Rectangular shape, with molded frame enriched at 
the upper angles with scrolled acanthus leaves. 
Painted black and gilded. 


Height, 28 inches; width, 26 inches. 


142—Patr or Irautan StTonE Baskets or Fruit 


Carved as circular baskets of wickerwork, filled with 


fruits, leaves and birds. 
Height, 1 foot 1 inch. 


148—Ser or Four Irauian Terra-cotta BAsKETs 
Style of Sixteenth Century 


Circular baskets, of wickerwork pattern, filled with 
fruits and leaves. Of unglazed red terra-cotta. 


Height, 1514, inches; diameter, 18 inches. 


144—Pair or Brass ANDIRONS 
Columnar standards, with turned vase-shaped finials. 


First Afternoon 


145—Set or Brass Fire-1rons 


Four pieces, with ball-shaped ends. In brass stand, 
with circular base. 


146—Ser or Brass-HANDLED FIRE-IRONS 


Baluster-shaped handles, with ball tops. In stand with 
brass scrolled arms and octagonal iron tray. 


147—Set or Brass-HANDLED FIRE-IRONS 


Turned brass handles. In stand with turned brass 
finials, twisted iron jaws and rectangular tray. 


148—Parr or Brass ANDIRONS 


Square columnar standards, on curved brass legs with 
paw feet. 


149—Pair or Brass ANDIRONS 


Baluster-shaped standards, with ball finials and 
curved brass legs with spoon feet. 


150—Turee Fire Screens AND Brass FIRE-IRONS 
Screens of wire mesh. One with brass framework. 
Fire-irons with turned brass handles. 


151—Parr or Friemisu Brass JARDINIERES 
Circular shape, with straight sides, embossed with cir- 
cular medallions of figure subjects in the Teniers 
manner. Lion masks with ring handles. 


Height, 13 inches; diameter, 18 inches. 


First Afternoon 


OLD PRINTS, DECORATIVE PAINTINGS 
AND LITHOGRAPHS 


152—Couorep LirHocrRaPrH 
Lithograph entitled ‘‘Le Retour.” Colored. 


153—Two EncuisH CoLorED STIPPLE ENGRAVINGS 


“Marie Antoinette in the Conciergerie,” by C. Venzo, 
and “Cupid Punished,” after Angelica Kauffmann by 
William Ryland. 


154—Two EncuisH ENGRAVED PorTRAITS 


Portraits of Beau Brummel and Lord Byron. Both 
inscribed: “To Clyde Fitch . F. Gottschalk.” 


155—Two CoLuorep CARICATURES 


“Les Inséparables” and “A Fashionable Ball Dress 
fore S2iee 


156—Two Frencu Conor Prints 


“The Village Fair” and “The Tambourine.” En- 
graved by Descourtes and printed in colors. 


No. 157 


CONTEMPORARY AMERICAN SCHOOL 


Maponna 
iC (Panely YYW +, 
Figure of the Virgin seated in high-backed chair, dyssed 
in red robe with blue mantle and holding the undraped 


Christ Child on her lap. In pierced, carved, painted and 
gilt wood frame. 


Height, 714, inches; width, 34, inches. 


First Afternoon 


No. 158 Gres; yy 


) ( CONTEMPORARY AMERICAN SCHOOL 
| py 

i Views oF Mr. Fircn’s House 
i 


Pair of studies in colored pastels of rooms in Clyde Fitch’s 


: house. 

e Heights, 12 inches; lengths, 14 inches. 

bs ape - 
ee Cary Pak Ne b- LM 


No. 159 . 


FRENCH SCHOOL OF THE EIGHTEENTH 
/ CENTURY 


é Porrrair or A Lapy £ ; : 
pee (Canvas) ro Melly 


Bust-length portrait of a young woman with powdered 
hair, the face turned to the right. She wears a square- 


cut red bodice. 
i Height, 21 inches; width, 17 inches. 


No. 160 


SPANISH SCHOOL OF THE Be 
CENTURY Mire eben CP Ah, 


: Portrait oF A SpPANisH NoBLEMAN 
Bee. (Canvas) 


Bust-length portrait of a clean-shaven young man, looking 
to the right. He wears a jerkin and a ee starched ruff. 
Inscribed above: “DON. FRANCHESCHO. MED.’ 


Height, 25 inches; width, 19% inches. 


First Afternoon 


No. 161 


SPANISH SCHOOL OF THE SEVENTEENTH 
CENTURY 


Porrrarr oF A Lapy 


Jee cl Reads 


Half-length portrait, with face turned to the left, of a 
young woman wearing a black lace mantilla and black 
bodice. Brown background. Unframed. 


Height, 26 inches; width, 19 inches. 


No. 162 


FLEMISH SCHOOL OF THE SIXTEENTH CENTURY 


7 PortTrRAIT OF PRINCESS 5 
Les (Canvas) f ay ‘ MVukhyr 


Half-length portrait, looking to the left, of a young woman, 
with dark curling hair and pearl earrings and necklace. She 
wears a wide square-cut bodice, the opening edged with lace 
and an embroidered mantle lined with ermine. Dark back- 


ground. 
Height, 22 inches; width, 18 inches. 


"0 om Cavin 


ATTRIBUTED TO SIR JOS Lh REYNOLDS 
Ai pee ee Portrait or THEropHILA PALMER 


Portrait of a young girl in white dress and wearing a black 
broad-brimmed hat. She looks demurely downward and 
holds her hand in her lap. Reddish background. 


Height, 24 inches; length, 19 inches. 


- aan ae 


aie 


“ ND thy | 
fools 
' 


First Afternoon 


No. 164 nd. 


ENGLISH SCHOOL OF THE EIGHTEENTH 
CENTURY 


PLAYMATES 


(Canvas) 


Oval panel of three peasant children seated under a tree. 
The urchin on the left has fallen asleep, leaning on his 
sister’s shoulder; the other boy holds an earthenware bottle. 
In the middle distance sheaves of wheat. Landscape back- 
ground, with barn. ‘The picture set in painted wood dado, 


with molded panels. 
Height, 19 inches; width, 26 inches. 


No. 165 


FRENCH SCHOOL OF THE SEVENTEENTH 
CENTURY 


he Portrait oF A LaApy gb Vy. AVN RS): 


(Canvas) 


Bust-length, full face, in oval medallion, of a lady of the 
French Court, with hair dressed high and with ropes of 
pearls. She wears a blue gold-embroidered lace-bordered 
bodice and a rose-colored mantle, which she seizes between 
the thumb and finger of the right hand. 

Height, 271, inches; width, 211, inches. 


First Afternoon 


No. 166 WL 
ATTRIBUTED TO SIR JOSHUA REYNOLDS 
od ae (Canvas) 


Version of the picture known as ‘‘The Snake in the Grass.” 
Seated figure of a young girl, with right hand raised to 
her face and Cupid standing at her knee. 


Height, 2914 inches; width, 24°, inches. 


: No. 167 


FRENCH SCHOOL OF THE EIGHTEENTH | 


fee oN ; 
hte eye Rae Venaedlr Oe 


PorTRAIT OF A Tas ; 


Portrait of a young woman pillowing her head, with fair 
hair dressed high, on her right arm, which rests on a blue 
sewing box. She wears an orange-colored bodice trimmed 


with lace. 
Height, 18 inches; length, 32 inches. 


No. 168 | 1 
FRENCH SCHOOL OF THE EIGHTEENTH 
CENTURY Cy o 
eee Sate rk ; 
ely Che Portrait oF A Lapy UZ 
Half-length portrait of a young woman, seated and looking 


to the right. She is dressed in a blue bodice and holds with 
her right hand a fold of a blue drapery. 


Height, 18 inches; length, 82 inches 


First Afternoon 


No. 169 \ 
PWn.- 


ENGLISH SCHOOL OF THE EIGHTEENTH 
¢¢ CENTURY 


— 


- Portrait or Two SIstTERs 


(Canvas) 


Three-quarter-length portraits of two middle-aged women 
_wearing frilled cambric caps over powdered hair, one in 
rose-colored, the other in green, bodice, both trimmed with 
lace. They stand facing the spectator, one with her hand 
on the other’s shoulder offering an open snuffbox. 


Height, 32 inches; width, 23 inches. 


No. 170 


ITALIAN SCHOOL OF THE EIGHTEENTH 
CENTURY 


GF - 
fo — Portrait oF A YounGc GIRL 


Full-length portrait of a young girl, seated on a chair and 
presenting her full face to the spectator. She wears a red 
dress with tight-fitting bodice, a cluster of charms on a 
silver chain around her neck, and holds in her right hand 
two strawberries taken from a basket of the fruit at her 
feet. Green drapery background, with an open window 
through which is seen a building on the left. 


Height, 36 inches; width, 23 inches. 


First Afternoon 


No. 171 


ITALIAN SCHOOL OF THE, SIXTEENTH ) 
CENTUR VV rod 


SALOME WITH THE HEAD oF JOHN THE Baptist 
dv . 4 
S ) (Canvas) a 


Three-quarter-length view of Salome, dressed in a green 
bodice, with rose-colored girdle and half sleeves of cam- 
bric, and a red skirt. She wears a pearl necklace and holds 
on a brass plate the severed head of St. John the Baptist. 
In the upper left-hand corner is an open window. Unframed. 


Height, 37 inches; width, 27 inches. 


No. 172 


FRENCH SCHOOL OF THE EIGHTEENTH 
CENTURY 
[oO es INFANCY OF mee es Y, 


In center the nude infant Hercules. On the right the te 
view of a satyr striking cymbals, on left the mother of 
Hercules. Landscape background. 


Height, 28 inches; length, 34 inches. 


Nojebs 


ENGLISH SCHOOL OF THE EIGHTEENTH 
CENTURY ty 4 


Portrait oF A Youne Woman f 


Si Sas - (Canvas) 


Three-quarter-length seated figure of a young woman in 
rose-colored dress, with spaniel and basket of flowers. Land- 
scape background. i 


Height, 33 inches; width, 29 inches. 


9 UE 
Per SR yy &. trnrebherrLy 


— 


290% 1738 . , E 


First Afternoon 


No. 174 &) : : 


| FRENCH SCHOOL OF THE EIGHTEBNTH 
7 bo CENTURY 


DEATH OF CLEOPATRA 


(Canvas) 


Cleopatra on right, with asp coiled around her wrist. On 
left, Minerva, with spear and shield, attended by Amorini. 


‘Height, 29 inches; length, 34 inches. 


No. 175 


SPANISH SCHOOL OF THE EARLY 
NINETEENTH CENTURY 


Portrrair ora Lapy : 
TS (Canvas) Sie iis, 


Full-length figure of a young woman standing and holding § /, 


over her right arm a red shawl. She wears a black lace *‘ 


mantilla, a high-waisted dress with rose-colored bodice and 
black skirt trimmed with rose-colored ruffles and rose-col- 
ored slippers. She stands in the interior of a room with an 
Empire table at her side and a chair behind her. Un- 


framed. 
Height, 88 inches; width, 29 inches. 


First Afternoon 


No. re 0 Uf | 


GERMAN SCHOOL OF THE SIXTEENTH CENTURY 


oe 


Three-quarter-length, full-face portrait of a young woman 
wearing a jeweled headdress, pearl earrings, lace-bordered 
ruff and black velvet dress with full sleeves embroidered 
with gold. With her right hand she holds a pearl pendant 
hanging by a gold chain around the neck. Dark background. 
Inseribed, under coat-of-arms: “susANA--> VON GROTA. 
GEBORNE WIDMANN AETATIS XVIII.” 


PortTRAIT OF SUSANA VON GROTA 


(Canvas) 


pa ee 


Height, 37 inches; width, 32 inches. 


No. 177 
EVERETT SHINN 


AMERICAN: CONTEMPORARY 


(7 Portrait oF Crype FircH 
Uy phy (Millboard) 


Standing figure of Clyde Fitch, with his back to table and 


bookcase. In colored pastel. 


Signed, E. Suinn, 1911. 
Height, 41 inches; width, 3014 inches. 


3 First Afternoon 


ee el 


[ oo No. 178 


GERMAN SCHOOL OF THE FIFTEENTH 
CENTURY 


3 7 5 : Mawn’s Porrrair | ‘ e 
Ad ae Reerras) NYanner L, eV JOneee 
_ ‘Three-quarter-length seated figure of -a man with curling 
_ dark brown beard, seated with his arm resting on a table. 
In his right hand he holds his gloves, in his left an apple. 
On the left, in the distance, is an arched corridor with 
figures dancing and an elderly man in red cap drawing a 


curtain. Unframed. 
Height, 43 inches; width, 41 inches. 


No. 179 


ITALIAN SCHOOL OF THE SEVENTEENTH 
CENTURY 


. ~ View or Rutiys 
J (Canvas) 


Seascape, with rocky headland and group of buildings .on 
the right. In the foreground, on the right, are a statue 
and a group of figures; in the center, three men with a 
slaughtered pig; and on the left, classic ruins of a group 
of Doric columns with figures. 


Height, 18 inches; length, 53 inches. 


First Afternoon 


oo Se 2p 


ITALIAN SCHOOL OF THE EIGHTEENT 
CENTURY 


o/ i) << det Ture ANGLER 


(Canvas) 


In the center a boy, wearing only knee breeches, with a 
gourd over his shoulder, fishes in a stream, while seated 
near him are a young girl and a child. On the right a foun- 
tain, and on the left a waterfall, with figure of a young 
girl carrying a basket. Landscape background, with view 
of buildings in the distance. In old molded and gilded 


wood frame. 
Height, 19 inches; length, 58 inches. 


No. 181. 


FRENCH SCHOOL OF THE EIGHTEENTH - 
CENTURY 


, THe Piprnc SHEPHERD 4 
/ ( er See (Canvas) /] 


Under a tree on a mossy bank are seated a trio of two 
young women in eighteenth century costumes, one of whom 
holds a basket of flowers, and a shepherd boy playing to. 
them on his bagpipes. Near them are sheep reclining. 


Landscape background. 
Height, 53 inches; width, 30 inches. 


Se Shan “7 
= 


First Afternoon 


No. 182 


ITALIAN SCHOOL OF THE EIGHTEENTH 
CENTURY 


} oy Portrair oF Countess Basi 

+t 3 Es (Canvas) ei ao 

Three-quarter-length portrait of a young woman, seated 

__with her face toward the right. Her dark ringleted hair 
is surmounted by a large hat trimmed with roses; she 
wears a purple dress, holds a fan in her right hand, her 

~ left on an open book which lies on a table and on a letter 
addressed “A son Eminence Julie Bon Balbi.” Near the 
book is a glass bottle with a rose. In the distance an amphi- 
theatre with statues. In painted and gilded frame. 


Height, 51 inches; width, 39 inches. 


No. 1838 


ATTRIBUTED TO NICOLAS MIGNARD 
1606—1668 


Two Portraits oF Lapirs OF THE Cotrr 


Per ATR 


o on %% (Canvas) i AN, (3 AANLD 


Oval shape. One, portrait of a young woman, seated and 
holding a bouquet of flowers. She wears an embroidered 
bodice and purple mantle. On the left stands an Amorino 
holding up an oval mirror in which is seen the reflection 
of her face. The other, three-quarter-length portrait of 
middle-aged woman, seated and holding a floral festoon. She 
wears an embroidered and jeweled bodice and a red mantle. 
At her left side stands a fair-haired Amorino. Landscape 


background. 


Heights, 37 inches; lengths, 50 inches. 


First Afternoon 


No. 14 © i 


FLEMISH SCHOOL OF THE SEVENTEEN f/ 
CENTURY 


Overpoor PANEL 


F 4 Ll ye (Canvas) 


Rectangular panel, painted with a Teniers-like subject of 
a village street. On the right is the door of an alehouse, 
with group of drinkers seated at a table outside. In the 
center, a man and woman, and on the left, a group of three 
figures and a distant landscape. In carved and molded 


wood frame. 
Height, 14 inches; length, 65 inches. 


No. 185 


FRENCH SCHOOL OF THE EIGHTEENTH 


CENTURY : 
: Sige Mae 
ie J ge REBECCA AT THE WELL 


(Canvas) 


Figure of a young woman in yellow robe, with red mantle 
and blue turban. She stands at a brick well-head holding 
a rope in one hand and resting the other on a wooden bucket. 
On the ground is a majolica ewer. Landscape background. 
Carved, painted and gilded wood frame. 


Height, 60 inches; width, 45 inches. 


— 


First Afternoon 


No. 186 fe) . 
FRENCH SCHOOL OF THE EIGHTEENTH if | 
“" CENTURY | 


4 ie Overpoors 


(Canvas) 


Painted with scenes from Fénelon’s ‘*Télémaque.” In one, 
a young woman bearing a helmet approaches an old man 

who is weaving a basket and surrounded by children. On 
the right is a farmyard with cattle. Landscape background. 
In the other, a warrior with helmet is persuading another 
to enter a boat in which sits a maiden, while another war- 
rior dissuades him. On the right a young woman lies at 
full length unconscious. Seascape background. 


Height, 27 inches; length, 70 inches. 


No. 187 


EVERETT SHINN 


AMERICAN: CONTEMPORARY 


es (2 
Critinc DECORATION 


(Canvas) 


Rectangular shape, painted with clouds, baskets of flowers 
and stone vases. Groups of roses and floral festoons. 


Width, 53 inches; length, 71 inches. 


First Afternoon 


No. 188 


ITALIAN SCHOOL OF THE SIXTEENTH 
CENTURY 


me () vd JOSEPH AND PorTipHar’s WIFE 


(Canvas) a 
Biblical subject, with figures in contemporary Italian cos- 
tumes. Joseph, in plumed hat, dark jerkin with rose-colored 
sleeves and purple mantle, is escaping from Potiphar’s wife, 
who lays her left hand on his shoulder and seizes his mantle 
with her right. She is dressed in an amber-colored bodice 
and skirt, with full white sleeves and a red mantle. Her 
auburn hair is drawn back from her forehead. Dark back- 


ground. , 
Height, 69 inches; length, 59 inches. 


No. 189 


DUTCH SCHOOL OF THE SEVENTEENTH 


CENTURY R f 

AS rege LANDSCAPE LO ae 
Wooded landscape, with blue sky banked with clouds and 

distant hills. In the middle distance is a shepherd, piping, ‘ 
and with a flock of sheep. In the immediate foreground, 
on the right, is a peasant, and on the left a cavalier on horse- 

back and a group of beggars. 

Height, 54 inches; length, 89 inches. 


a ees 


First Afternoon 


No. 190 


EVERETT SHINN 


AMERICAN: CONTEMPORARY 


6 . CEILING Wine 
: % (Canvas) 


Oval medallion in the center, occupied with subject sits 
stream on the banks of which are young women, some nude, 
some in eighteenth century costumes, and in the middle 
distance the prow of a boat laden with others in brightly 
colored costumes. On the right is a statue, a stone vase of 
flowers and trees, and on the left a fountain and trees. 
Surrounded by scrollings, floral festoons and vases of flow- 
ers on a black ground. Unframed. 


Signed, Everetr Surnn, 1905. 
Height, 54 inches; length, 110 inches. 


SECOND AND LAST AFTERNOON’S 
SALE 


WEDNESDAY, FEBRUARY 6, 1918 
AT THE AMERICAN ART GALLERIES 


BEGINNING AT 2.30 O'CLOCK 


Catalogue Nos. 191 to 305, inclusive 


191—-FivEe CusnHions | 


Covered in green cut velvet embroidered in gold, and 


silk brocade. 


192—ParrTr or CHaAsuBLE AND T'wo Sirk ManipLes 
The chasuble of Italian silk brocade, in colors, with 
floral pattern and bordered with gold galloon, and the 
maniples of white and flowered silks. 


THREE Pieces or IratiAN EMBROIDERY 
Seventeenth Century 


193 


Chalice cover, embroidered in colored silks and gold, 
with chalice and cherubim. ‘Two scrolled escutcheons, 
embroidered in colored silks and gold with coats-of- 


arms. 


194—Fovur Smautu Taste Covers 
(a) Silk damask. 
(es) Silk brocade. 
(c) Woolen needlework. 


(>) Blue Italian silk, with silver lace border. 


Second and Last Afternoon 


195—Two Iranian Srtk Damask Taste Covers 


Respective lengths, 45 and 39 inches; widths, 42 and 23 inches. 


196—Irauian Lact Taste Cover 


Worked with figures of Madonna and Child and An- 


gels. Lace border. | 
Length, 55 inches; width, 37 inches. 


197—Two Piecrs or Cur VELVET 


One of red and one of green velvet, cut in diapered 
patterns. ; 
Length, 50 inches; widths, 49 and 27 inches. 


198—Iratian Sink Damask Taste Cover 


Red damask, with center medallion bordered with gold 
galloon. 
Length, 55 inches; width, 38 inches. 


199—Iratian SitK Damask TABLE CovER 


Of red silk damask, bordered with gold galloon. 


Length, 68 inches; width, 47 inches. 


200—CuHINESE SILK SHAWL 
Of dark green silk, with deep knotted fringe of silk. 


Length, 66 inches; width, 64 inches. 


201—Irauian Sirk Brocape 
Patterned on a yellow ground with blue scrollings. 


Length, 60 inches; width, 60 inches. 


202—Two Irartian Lack Winpow CurtTaAIns 
Of cut and drawn work, with fringe. 


Length, 55 inches; width, 31 inches. 


Second and Last Afternoon 


203—Lacr Door PAner 
Patterned with animals and bordered. 


Length, 53 inches; width, 34 inches. 


h " 
a or ‘SP 


204—Irarian Lace anp Linen Hanecine 
. | Of cut and drawn work finished with fringe. 


Height, 32 inches; length, 78 inches. 


205—Frencu Corron Brepspreap Eighteenth Century 


, White ground printed in pinks and browns, with sub- 
jects of figures in eighteenth century and classic cos- 


tumes. 
Height, 78 inches; width, 62 inches, 


206—Iratian Lace Curran 
= Of cut and drawn work, in panels of diamond medal- 


hons and dragons. 
Length, 78 inches; width, 70 inches. 


207—CotTron BeEpsPpREAD 
Printed in carmine, with Amorini and wreaths. 


Length, 88 inches; width, 50 inches. 


208—Bepspreap AND Net Taste Cover 
(a) Bedspread of linen, with embroidery and drawn 


work in a pattern of scrolls. 
Length, 69 inches; width, 62 inches. 


(3) Table cover of net, with braid appliqué. 
209—Siix Brepspreap AND Two CusHIoNs 


Patterned with green and yellow stripes. 


Length, 76 inches; width, 49 inches. 


Second and Last Afternoon 


210—SiLk SPREAD 
Patterned with green, yellow and red stripes. 
Length, 86 inches; width, 50 inches. 


211-—SEer oF Sirk Damask Haneines 


Of yellow silk damask, the curtains with tasseled bor- 
ders. Set consists of pair of curtains, pair of por- 
tiéres, one bedspread, two pillows, one portfolio cover. 


Lengths of curtains and portiéres, 84 inches; widths, 48 inches. 


212—Two Parr or Sirk Damask Portreres 
Of red silk damask, bordered with silk braid. 
Length, 88 inches; width, 40 inches. 


213—Two Pairs or Sink Currarns 
Patterned in figured stripes of yellow, red and green. 
Length, 84 inches; width, 48 inches. 


214—Iranian Srttx Damask BrEpsPREAD 
Of red silk damask, with applied heraldic escutcheon 
embroidered in colored silks. 


Length, 88 inches; width, 78 inches. 


215—Ser or Sitk Brocape Curratins, Taste Cover AND 
CusHIONS 
Of yellow silk, brocaded, in cream color, with a pat- 


tern of floral stripes. 
Lengths, 96 inches; widths, 46 inches. 


216—Pair or FLtemisH Taprstry Panes 
Stateenth Century 
Rectangular shape. Woven, one with the figure of 
a man in sixteenth century costume with curled beard, 
and portions of other figures, and one with figures of 
two women wearing ruffs and with voluminous skirts. 


Height, 6 feet; width, 2 feet 6 inches. 


| ao 


Second and Last Afternoon 


217—Portion oF FiemisnH Tapestry 
Seventeenth Century 
Rectangular shape. Woven with figure of a herald 
in Roman warrior’s costume, with plumed _ helmet, 
blowing a trumpet with heraldic standard and leading 


a horse. 
Height, 6 feet 8 inches; width, 4 feet. 


218—Fremisu Verpure Tapestry Paner 
Seventeenth Century 
Rectangular panel, woven in a subject of a tree with 
foliage and a bird, in greens, browns. and yellows. 
Various borders of flowers and scrollings in colors 


on dark grounds. 
Height, 7 feet 5 inches; width, 5 feet. 


219—Fiemiso Tapestry Paneu Siateenth Century 


Rectangular shape, woven with a subject of Alexander 
and the Wife of Darius. On the left stands Alexander, 
with upraised hands, while in front of him, on the 
right, kneels a woman with a basket of fruits. Three 
women stand behind her, and a fourth kneels on the 
extreme right of the picture. Architectural back- 
ground, with windows fitted with leaded panes of glass. 
Color scheme of yellows and blues, with passages of 


red. 
Height, 6 feet 9 inches; width, 7 feet 10 inches. 


220—FiemisH Tapestry Pane Seventeenth Century 


Rectangular shape. Woven with the subject of 
Apollo pursuing Daphne. Apollo, on the left, in 
Roman costume and carrying his lyre, reaches out 
to seize Daphne, who stands on the right with up- 
raised hand. Foliage background and distant hilly 
landscape. Color scheme of greens, browns and yel- 


lows. 
Height, 7 feet 3 inches; length, 7 feet 1 inch. 


Second and Last Afternoon 


221—Fiemiso Verpure Tapestry Seventeenth Century 


Rectangular shape. Woven with a subject of a hound 
pointing a pheasant and surrounded by foliage and 
verdure. In the distance a round pavilion reached 
by a flight of steps, mountains and buildings. Color 
scheme of greens, blues and browns. Border of floral 
pendants in colors on a black ground. 

Height, 7 feet; width, 11 feet 9 inches. 


222—F emis Tapestry Sixteenth Century 


Rectangular shape. Woven with a subject of “The 
Quarrel.” On the right in an open arched doorway, 
stands a young man with drawn dagger in his hand 
restrained by two elderly women. In the center an- 
other youth is urged forward by two women, one of 
whom holds an upraised stick. On the right stands 
a nobleman with plumed cap and drawn sword. All 
the figures wear the sixteenth century Flemish cos- 
tumes. Border of scrolled acanthus leaves and flow- 
ers on a black ground. 

Height, 8 feet 9 inches; width, 11 feet 6 inches. 


223—F.LemMisH VERDURE ‘TAPESTRY Eighteenth Century 


Rectangular shape, with subject of pool surrounded 
by birds and verdure. In the distance a pavilion with 
flag and fountain. Border of twisted blue ribbon and 
floral scrolls on a black ground. 

Height, 7 feet 2 inches; length, 13 feet. 


224—AntiqueE Kazax Rue 
Field with blue ground, patterned with two cross- 
shaped medallions of red and yellow. Inner guard 
of double looped pattern, outer guard of Saracenic 
counter-change and border of conventional stepped 
pattern in red, blue and yellow and white ground. 
Length, 4 feet 9 inches; width, 2 feet 11 inches. 


Second and Last Afternoon 


225—AnTievE Kazax Rue 


_ Field with black ground, diapered with pear-shaped 
figures in rose-color and light blue. Border of black, 
yellow and red stars on a white ground. 


Length, 4 feet; width, 3 feet 1 inch. 


226—AnTIQUE SHIRVAN RucG 


Field with blue ground, dotted with colored fleurettes 
and patterned with four diamond-shaped medallions 
in red, green, blue and white, with red palmettes at 
top and bottom. Inner and outer guards of floral 

: sprays on a black ground, and border of green and 
yellow interlaced leaves on a white ground. 


Length, 8 feet 9 inches; width, 3 feet 8 inches. 


227—ANTIQUE KaAzpistTan Rue 


Field with brown ground, patterned with four oc- 
tagonal medallions in red, yellow and white, with 
borders of floral scrollings and Saracenic counter- 
change patterning in white and black. 


Length, 9 feet 7 inches; width, 3 feet 5 inches. 


228—ANTIQUE KaBistan Rue 
Red field, diapered in blue and light green with a 
diamond-shaped pattern of conventional figures. In- 
ner and outer guards of angular meander pattern 
and border of flowers and leaves on a black ground. 
Length, 11 feet 5 inches; width, 3 feet 11 inches. 


229—ANTIQUE SARABAND Rue 

Field with red ground, diapered with conventional 
vases of flowers in light blue and black. Inner guard 
of three bands of checkered, fleuretted and _ floral 
meander and Saracenic counter-change pattern and 
border of angular meander, palmettes and flowers 
in red, black and yellow on a white ground. 

Length, 10 feet 2 inches; width, 5 feet. 


Second and Last Afternoon 


230—KERMANSHAH Rue 


Field with white ground, patterned with a central 
cusped diamond-shaped medallion, with red ground 
occupied with varicolored floral and leaf scrollings, 
surmounted by a scrolled diaper of flowers and leaves 
and with palmette-shaped medallions and _ scrolled 
leaves and flowers at the angles. Inner and outer 
guards of floral meanders on red and black grounds, 
separated by stripes of twisted ribbon pattern and 
border of a varicolored floral meander on a white 
ground. Length, 12 feet; width, 7 feet 6 inches. 


231—Kunorassan Rue 
Field with a dark ground, diapered with palmettes 
and leaves, red, yellow and blue. Inner and outer 
guards of meander and floral pattern, and border of 
palmette-shaped leaves and flowers in blue, black and 
white on a red ground. 
Length, 14 feet; width, 6 feet 8 inches. | 


232—ANTIQUE KHORASSAN CARPET 


Field with red ground, diapered with large diamond- 
shaped medallion of black, with red and yellow ros- 
etted centers and with trefoiled leaf terminations. In- 
ner and outer guards of yellow and black fleurettes on 
red grounds, and border of a floral meander in red, 
yellow, blue and white on a black ground. 

Length, 16 feet; width, 7 feet 2 inches. 


233—ANTIQUE FERAGHAN CARPET 
Center with a black ground, diapered in a pattern of 
interlacements, flowers, leaves and palmettes, and red, 
blue, yellow and white. Inner and outér guards of 
three bands of floral and rosetted meanders and bor- 
der of pear-shaped rosettes in red, white and green 
with vari-colored scrolled leaves and flowers on a red 
ground. Length, 14 feet 2 inches; width, 12 feet 4 inches. 


—— 


Second and Last Afternoon 


234—SPANISH SAMPLER Nineteenth Century 


Rectangular sampler worked in colored silks on linen 
sampler cloth with figure of a woman, parrots and 
quatrefoils. Dated “1866.” 


Height, 11 inches; width, 13 inches. 


235—VENETIAN Gitt Haneinc CABINET 

Eighteenth Century 
Rectangular form, with shaped and molded shelf sup- 
ported by four acanthus-leaf carved columns and with 
diapered gallery at side, with inner shaped and brack- 
eted shelf. Shaped and molded top, supported by 
carved and voluted scrolls, and shaped bracket sup- 
port carved with acanthus-leaf scrollings. Painted 


red and gilded. 
Height, 3114 inches; width, 27 inches. 


236—ITatian Carvep, Paintep anp Girt Woop MantTeE. 

Mirror Eighteenth Century 

Broken tablet shape, with pierced cresting surmounted 

by “Sun” medallion, festoons of leaves and loose rib- 

bons. Frame painted, enriched with carved husk pat- 

terning and flanked by detached vases of flowers. 

Acanthus-leaf scrolled and paw feet, and pierced 
acanthus-leaf carved apron. Painted red and gilt. 


Height, 40 inches; width, 42 inches. 


237—VENETIAN PaInTED AND GILT CHAIR 
Eighteenth Century 
Oval back. Serpentine seat front, carved with lotus- 
leaf pattern and tapering fluted and acanthus-leaf 
carved legs. Seat and back upholstered. 


Second and Last Afternoon 


238—Frencu Gitr Bencu Style of Eighteenth Century 


Rectangular shape, with molded top paneled with ~ 
canework, seat front carved with guilloche pattern 
and turned tapering fluted legs. Completely gilt. 


Height, 18 inches; length, 35 inches. 


239—Iratian Girt CANE-sSEATED ARMCHAIR 5 
Eighteenth Century _ 

_ Shield- hen back, with molded arms and curved 

legs. Seat and back in woven cane. Completely 


gilded. 


240—Irarian Gitt ConsoLte Taste LHighteenth Century 


Rectangular table, with apron carved with eagle sup- | ¢ 


porting leaf festoons, and one turned tapering fluted 
and acanthus-leaf carved leg. Completely gilt. Mar- 
ble top missing. | 
Height, 32 inches; length, 20 inches. 


241—Oax TABLE 


Rectangular shape, on turned legs and fitted with 
drawer. 
Height, 1 foot 91% inches; length, 2 feet 2 inches. 


242—Intaip Manocany WasHstTanp 
Rectangular shape, the top with two hinged flaps, 
pierced for basin; lower part fitted with drawer and 
cupboard; on square tapering legs. Inlaid with lines 
of satinwood. 
Height, 2 feet 9 inches; width, 1 foot 51% inches. 


Second and Last Afternoon 


243—Irauian Intaip Watnut Correr 
| Eighteenth Century 
Rectangular shape, with domed hinged lid, inlaid with 
bands of acanthus scroll inlay in light woods. Front 
and sides paneled with raised moldings, inlaid with 
scrollings and a pear-shaped scrolled escutcheon, with 
coat-of-arms of rampant lion. On four feet. 


Height, 1 foot 51%, inches; width, 2 feet 4 inches. 


244—ITatian Intatp Watnut CABINET 
Eighteenth Century 
Rectangular shape, with chamfered angle marble top, 
and square tapering legs, fitted with two drawers with 
fronts inlaid with panels bordered by lined satinwood 
and with knobs with painted enamel fronts. Marble 
cracked and one knob front missing. 
Height, 2 feet 9 inches; width, 1 foot 9 inches. 


245—ITatiAN InLAID-WaLNutT CaBINET 

Style of Eighteenth Century 
Rectangular shape, with marble top on.square taper- 
ing legs, fitted with drawer and cupboard. Drawer 
and hinged cupboard door inlaid with panels sur- 
rounded by indented borderings of light wood inlaid. 

Marble top broken. 
Height, 2 feet 8 inches; width, 1 foot 3 inches. 


246—Parr or Irarian [niaip Tasers 

Style of Eighteenth Century 
Rectangular shape, the aprons fitted with drawers on 
square tapering legs. Top inlaid, in light and dark 
woods, with counter-cut oval panels of shepherdess 
with sheep and cow drinking in landscapes with 
acanthus-leaf scrolls in the angles. Aprons with acan- 
thus-leaf scrolls in etched dark wood, legs with acan- 
thus-leaf scrollings in colored woods. Glass tops. 


Height, 2 feet 5 inches; length, 2 feet 2 inches. 


Second and Last Afternoon 


247—Intaip Manocany TABLE 


Rectangular top and square tapering legs. Inlaid 
with lines of satinwood. 


Height, 2 feet 5 inches; length, 1 foot 11 inches. 


?48—Iratian IntAip Watnut Dressine TABLE 


Style of Eighteenth Century 


Rectangular shape, with broken front. Fitted with 
hinged center flap, with mirror on interior surface, 
and two side compartments with hinged flaps, the 
apron with drawer. On square tapering legs. Top 
inlaid in hght woods with military trophy, and apron 
with panel of acanthus-leaf scrollings. 


Height, 2 feet 71/4 inches; length, 2 feet 8 inches. 


249—Parr or Irarian ParquETRY CABINETS 
Style of Eighteenth Century 
Semicircular shape, with molded marble tops and 
square tapering legs, each fitted with two drawers. 
Drawer fronts and sides inlaid with panels of par- 
quetry flanked by bands of kingwood. 


Height, 2 feet 11 inches; width, 2 feet. 


250—Iratian Mareauretry Dressinc TABLE 
Exghteenth Century 


Rectangular shape, with kneehole front and square 
tapering legs. Fitted with central hinged flap, with 
mirror on inner surface. ‘Two side compartments with 
hinged covers, and three drawers. Top inlaid with 
band of scrolled seaweed marquetry, drawer front 
with panels of marquetry, inlaid views of buildings and 
legs with bands of geometrically patterned parquetry. 
Compartments and drawers lined with red silk dam- 


ask. 
Height, 2 feet 7 inches; length, 2 feet 614 inches. 


Second and Last Afternoon 


251—PaintTED Oak GateE-LEc TABLE 
Oval top, with two hinged flaps, carved with band of 
scrolled leaves. Turned cylindrical legs and gate 
with turned stretchers. Painted blue. 


Height, 2 feet 4 inches; length, 2 feet 8 inches. 


252—Irauian Intaip Watnut Dressinc TaBsLe 

Eighteenth Century 
Rectangular shape, with broken front. Top fitted with 
center compartment having hinged flap, with mirror 
on inner surface, two side compartments with hinged 
tops, and apron with drawer. On square tapering 
legs. Top inlaid with oval dragon-surrounded panel 
enclosing a scrolled escutcheon, sides with sphinxes 
and scrolled acanthus leaves, and legs with husk pat- 
ternings. 


Height, 2 feet 61%, inches; length, 2 feet 81 inches. 


253—Earty American Manocany Mirror 
Rectangular deep molded frame. 
Height, 3 feet 1 inch; width, 2 feet 1 inch. 


254—IrTatian Intarp Waxtnout Writine Tasie 

Style of Eighteenth Century 
Rectangular top, fitted with large pull-out leather 
paneled writing slab and three drawers, and with 
square tapering bracketed legs. Top inlaid with 
square panel and circular medallion center in line of 
satinwood. Drawer fronts with panels enclosed. by 
bands of kingwood and satinwood. 


Height, 2 feet 6 inches; length, 3 feet 6 inches. 


Second and Last Afternoon 


255—VENETIAN InLaip Watnut Tasie 

Style of Eighteenth Century 
Rectangular top; apron fitted with two drawers and 
square tapering legs. Top inlaid with diam@nd me- 
dallion and corners of scrolled acanthus leaves in 
etched satinwood, apron with vertical bands of par- 
quetry and legs with spear-shaped panels of light and 
dark woods. Glass top. 


Height, 2 feet 9 inches; width, 3 feet. 


256—UPuHoLsTERED ARMCHAIR 


Square back, straight arms and turned legs. Up- 
holstered with silk damask. 


257—Turee UrnoiustTeErRED ARMCHAIRS 


Square backs, straight arms and square tapering 
legs. Seats, backs and arms upholstered, two with 
cut velvet and one with silk damask. 


2?58—DutrcH Intain Manocany Drop-LeaFr TABLE 


Rectangular shape, with two hinged drop leaves, 
drawer, square tapering hinged legs and turned 
stretcher. Inlaid in colored woods, with Amsterdam 
marquetry of flowers and leaf scrolls. 


Height, 2 feet 1 inch; length, 2 feet 1 inch. 


259—Inuaip Manocany Carp TasLe 

Style of Eighteenth Century 
Rectangular shape, with hinged leaf supported on 
hinged legs and apron fitted with drawer. Square 
tapering legs. Top inlaid in etched- colored wood 
and ivory, with quatrefoil medallions enclosing sym- 
bolic figures of women, dolphins and floral scrolling, 
the apron with scrolled leaves and flowers. 


Height, 2 feet 9 inches; width, 3 feet. 


: Second and Last Afternoon 


7 260—Earty American Manocany Cuest or Drawers 


Rectangular shape, flanked by carved, pineapple 
pilasters on paw feet, fitted with one shallow and two 
deep drawers. Brass looped handles. 


Height, 3 feet 4 inches; width, 3 feet. 


261—Irauian Intaip Warner Cuest or Drawers 

4 . Eighteenth Century 
Et Rectangular shape, with molded top, three long 
drawers and square tapering legs. Entirely inlaid, 
the top and sides with oval shell medallions of satin- 
wood and scrolled border, the drawer fronts with 
pointed-leaf rosettes and circular medallions. Brass, 
swinging ring handles and circular keyhole escutch- 


eons. 
Height, 3 feet 1 inch; length, 3 feet 6 inches. 


2962—Earty AMERICAN Manocany CueEst oF DRAWERS 


\ Rectangular shape, with lower part of front bowed 
and flanked by fluted composite columns, on four 
bracketed feet. Top fitted with two, lower part with 
three drawers. Oval twisted hanging ring handles of 
brass with embossed plates. 


Height, 3 feet 7 inches; width, 3 feet 9 inches. 


: 263—Initaip Manocany Dror-Lear TABLE 


: Oval top, apron fitted with drawer, square tapering 
: legs and two hinged drop leaves. Inlaid with lines of 
i satinwood. 


Height, 2 feet 414, inches; length, 3 feet 8 inches 


264 


Manocany Wine CuHair 


Square back, with shaped wings and arms and square 
tapering legs. Upholstered in silk damask. 


Second and Last Afternoon 


265—Iratian Girt anp Manocany Dressing TaBLE 
Eighteenth Century 

Rectangular shape, with hinged mahogany top, and — 
interior fitted with compartments. Apron carved with 

lotus leaves, turned tapering and fluted legs, curve 

and carved cross stretchers, with finial formed | as 
Cupid’s bow and quiver. Entirely gilt. : 
Height, 2 feet 9 inches; width, 2 feet 1 inch, 


266—VENETIAN Parnrep ArmcHarR LKighteenth Cennana : 


Shield-shaped back, with curved flat arms on curved — 
supports, serpentine seat front and square tapering — 
legs. Carved with masks and rosettes, and painted, on 
a red ground, with foliage scrolls upholstered in cut 
velvet. , 


267—Pair or Irarian PainTEpD anp GILT ARMCHAIRS  —"@ 
Eighteenth Century q 
Oval back, with voluted upholstered’ arms on curved © 
supports. Bowed seat fronts and tapering fluted legs. — ; 

Seats and backs upholstered in cut velvet. Painted — 
and gilt. | 


268—Setr or Four Iranian Gitt ARMCHAIRS 
Eighteenth Conan 


Square backs, carved arms on fluted columnar sup- 
ports, square tapering legs and _ pear- shaped feet. 
Two upholstered in yellow silk damask and two in rose- _ 
colored cut velvet. 


269—Parm or Traian Parnrep anp Girt ArMcHAIRS |. 
Eighteenth Century 

Oval backs, carved, voluted and upholstered arms on | 

curved supports, bowed carved seat fronts and taper- 

ing fluted legs. Seats and backs upholstered. Painted — 

and gilt. | 


Second and Last Afternoon 


270—Iratian Painted anp Gi_tt ARMCHAIR 
Eighteenth Century 
Oval back, with scrolled upholstered arms on scrolled 
supports, shaped seat front and scrolled legs with vo- 
luted feet. Painted white, picked out in gold. Seat 
and back upholstered. 


271—Parr or Iratian PaintTED CuHarrs 
Style of Eighteenth Century 
Square backs, pierced and carved with oval medallions, 
crossed torches and fluted spindles. Straight seat 
fronts and turned tapering and fluted legs. Backs and 
seats of canework. Painted white and green. 


272—Pair oF Irauian PainTtED ARMCHAIRS 

Eighteenth Century 
Square backs, straight reeded arms on fluted col- 
umnar supports, straight seat fronts and turned, ta- 
pering, fluted acanthus-leaf carved legs. Seats and 
backs upholstered. Painted white, picked out with 
green, and decorated with husk patternings painted in 
green. 


273—Frencu Girt ARMCHAIR 
Style of Seventeenth Century 
Square back, with carved, voluted and acanthus-leaf 
carved arms on acanthus-leaf carved supports. Bul- 
bous fluted and carved legs, with scrolled and carved 
side rails and center stretcher. Seat and back uphol- 
stered. 


Second and Last Afternoon Be: 


274—Irattan Carvep anp Gitt Woop Bang@uETTE 
Style of Eighteenth Century — 

Rectangular shape, with upholstered top, pierced and — 
carved seat front, six cabriole legs carved with masks, 
voluted feet and curved carved cross stretchers. Up- — 
holstered with cut velvet. Frame completely gilded. 


Height, 20 inches; length, 45 inches. x 


275—Parr or Irarian Painrep anv Gir Woop Torcubkres 
Style of Seventeenth Century 


Hexagonal baluster-shaped stems, molded and carved 
with pointed leaves, circular bobéches carved with lotus 
leaves, hexagonal incurved pedestals carved with acan- _ 
thus leaves and four scrolled acanthus-leaf feet. 


Painted red and gilded. 
Height, 561/, inches. 


276—Frencu Trumeau Mirror Eighteenth Century 


Rectangular shape, with molded frame divided into 
two panels, the upper one occupied with painting, in 
the Boucher manner, of Nymph with tambourine and 
Amorino with garland of flowers. 


Height, 5 feet 11 inches; width, 2 feet 4 inches. 


277—Frencu Inuaip Watnut Faui-Frront Desk ' 
Eighteenth Century 

Rectangular shape, with chamfered angles, marble 

top and straight legs. Arranged with drawer, desk. 

with fall front paneled with leather, and fitted with 

four drawers and shelves, and three drawers below. — 
Drawer and fall front inlaid with panels of lght- 

color wood, bordered by bands of satinwood. 


Height, 4 feet 6 inches; width, 2 feet 114 inches. 


—— al 


Second and Last Afternoon 


~278—Dourcw Intai Manocany Fart-rront Desk 

Eighteenth Century 
Rectangular shape, with molded marble top, beveled 
angles and cabriole legs. Arranged as a fall-fronted 
desk with drawer above, interior fitted with six inlaid 
front drawers and four pigeon-holes, and cupboard 
below with two hinged doors. Inlaid with kingwood 
and border of “‘barber’s pole” pattern in light and 
dark woods. Marble cracked. 


Height, 4 feet 71% inches; width, 2 feet 61/, inches. 


279—Pair oF Irarian Intaip Manocany CommMopEs 

Eighteenth Century 
Rectangular shape, with molded top, three long 
drawers and square tapering legs. ‘Tops and sides 
inlaid in kingwood and satinwood, with circular dia- 
pered medallions and lined with satinwood; drawer 
fronts with handles of parquetry bordered by double 
looping of satinwood. Swinging looped handles, with 
shuttle-shaped plates, embossed with masks, of brass. 


Height, 3 feet 11% inches; length, 4 feet 3 inches. 


280—Dutcu Manocany Fari-rront DEsk 

Early Nineteenth Century 
Rectagular shape, with gray white-veined marble top. 
Flanked by two detached columns with stamped brass 
capitals. Frieze fitted with drawer, lower portion 
with fall-down front forming desk, the compartment 
arranged with six drawers, two secret drawers and 
arched receptacle. Below are three long drawers. 
Handles and keyhole escutcheons of contemporary 

stamped brass. . 
Height, 4 feet 8 inches; width, 3 feet 2 inches. 


Second and Last Afternoon 


Ble Iran Intaip Watnut ComMMopE 
Eighteenth Century 

Heian alee shape, with molded top and short cabri- 

ole legs. Fitted with three drawers and inlaid in light — 

and dark woods, the top with shaped panel enclosing | 

a heraldic shield supported by Putti and flanked — 

by scrolled acanthus leaves. The drawer fronts, — 


with rectangular panels, etched with landscapes 
and seascapes and flanked by panels of burr veoh 
inlaid with etched festoons and scrollings. Contem-— 4 


porary oval swing handles, with stamped plates of 
brass. 


Height, 3 feet 2 inches; width, 4 feet 5 inches. 4 


282—Carvep Oax Writine TABLE 


Rectangular shape, with kneehole front on spirally 3 


turned legs with spirally turned stretcher. Fitted — a 


with five drawers, the fronts carved with masks be — 


scrolls. ~ 
Height, 2 feet 6 inches; length, 4 Be 


288—WoopEN CuiotTHEs CHEST 
Rectangular shape, with hinged lid. Of wood, coy- 


ered with canvas and painted. The front decorated 


with old carved oak console brackets and fruit pen- 
dants. 


Height, 2 feet 214 inches; length, 5 feet 2 inches. iS 


284—Oax Dininc Tasie 


Rectangular extension top, the apron carved with i ; 


scrollings, carved columnar pedestal and four scrolled _ 


acanthus-leaf carved legs with paw feet. Five addi- 
tional leaves. 


Height, 2 feet 1 inch; length when closed, 4 feet 9 inches. 


Second and Last Afternoon 


285—Parr or Irarian Watnutr ARMCHAIRS 


Armchairs with square backs, gilt carved acanthus- 
leaf finials, straight arms and twined legs on straight 
base rail. Side chairs with square backs, voluted 
finials and turned legs. Backs and seats upholstered 
in crimson velvet finished with silk fringe. 


286—Pair or Irarian Watnut SipE CwHairs 


Square backs, with oak finial. Backs and seats up- 
holstered in crimson velvet finished with silk fringe. 


287—Six Iratian Watnot Sipe CuHairs 


Square backs, with acanthus-leaf finials. Seats and 
backs upholstered in crimson velvet. 


288—Iratian Carvep AND GitpED Woop Tas Le 
Eighteenth Century 
Rectangular shape, with peachbloom marble top, 
apron carved with festoons of flowers and leaves tied 
by knotted ribbon and turned tapering and fluted legs 
with acanthus-leaf feet. Entirely gilded. 


Height, 2 feet 9 inches; length, 5 feet 6 inches. 


289—Dutcu Painted FourroLtp SCREEN 
Style of Eighteenth Century 
Four leaves, with arched tops, painted with scrolled 
panels, the upper ones occupied by figures of itinerant 
vendors and dancing master, in eighteenth century 


costumes. 
Height, 6 feet; width, 7 feet 8 inches. 


Second and Last Afternoon 


290—Itratian ParntEp anp Gitt Day Berp 
Early Nineteenth Century 
Curved ends, with pierced and rosetted splats. Ser- 
pentine seat front and square tapering fluted legs. 
Webbing. seat, with loose cushion. Painted black, 
picked out with gilding. 
Length, 6 feet 6 inches. 


291—Oax Berp Style of Eighteenth Century 
Rectangular headboard with carved top rail, open 
top panel fitted with carved acanthus-leaf scrollings 
and knotted ribbon, and flanked by. tapering fluted 
columns. Footboard with two low posts of tapering 
fluted baluster. Beaded side rails. Fitted with box 
spring and mattress. 


Length, 6 feet 8 inches; width 3 feet. 


292—-Frencu Gitt Woop Bep witu Sirk Damask Cur- 

TAINS Style of Eighteenth Century 

Rectangular head and foot boards, with top rail 

carved with laurel-leaf bases, flanked by fluted columns 

with carved finials and paneled with canework. Side 

rails carved with guilloche patterning. Entirely gilt. 

The curtains are of rose silk damask bordered with 
fringe. Fitted with box spring and mattress. 


Length, 7 feet 6 inches; width, 3 feet 9 inches. 


293—Iratian Paintep Woop Day Bep 
Eighteenth Century 
Straight square ends. Molded and carved with bands 
of twisted ribbon pattern, rosette carved seat front 
and eight turned tapering and fluted legs. Seat and 
arms upholstered, with loose cushion. Frame painted. 


Length, 76 inches. 


Second and Last Afternoon 


294—Frencn Painted Bep, Two Cuairs anp CABINET 


Bed with square head and foot boards, flanked by 
baluster-shaped fluted columns, and with curved top 
rails paneled and enriched with carved fluted vases, 
and pear-shaped feet. Armchair with curved arms, 
side chair with pierced splat and cabinet with marble 
top and hinged paneled doors, all to match. Painted 
white, picked out with green. 


295—Irauian Patntep anp GitpED Woopen NIcHE 
Seventeenth Century 
Semi-hexagonal niche of wood, painted in tempera 
with quatrefoil. medallion and bold acanthus-leaf 
scrollings. Semicircular canopy, carved with acan- 


thus-leaf and gilded. Voluted gilded side brackets. 
Height, 7 feet 4 inches; width, 3 feet 1 inch. 


296—Earty AmERIcAN Manocany Sora 
Rectangular back, with straight molded mahogany 
head rail, straight upholstered arms with front of 
twin half-round Ionic pilasters, straight seat front 
and molded pedestal feet, back and arms upholstered 
with loose cushion to seat. 


Height, 2 feet 9 inches; length, 2 feet 5 inches. 


297—HarpmMan Granp PIANO 
Case of white mahogany, painted in oils by Everett 
Shinn. The lid with landscape and group of dancers 
in Watteau style, surrounded by band of rose blos- 
som and leaf ornamentation. The sides and back of 
keyboard with floral festoons, the latter flanked by 
vases of flowers. 


Second and Last Afternoon 


298—Iratian Carved anp GittT Woop Door ArcH . 
Flat arch, with broken outlines and moldings carved 


with acanthus leaves. Frieze and jambs enriched — 


with carved cherub’s head, floral festoons and fruit a 
pendants tied with knotted ribbons. Painted and — 
gilded. % ' 


Height, 9 feet 7 inches; width, 8 feet. 


299—Iratian Marsie GarpEN ConsoLEe a 
Rectangular molded top, with square baluster-shaped _ 
stem and square base. Of red-grained marble. 


Height, 2 feet 101% inches; width, 2 feet 4 inches. 


300—ITALIAN Meni GARDEN TABLE 


Circular molded top, with baluster-shaped stem on 
square base. Of white marble. 


Height, 2 feet 10 inches; diameter, 2 feet 44% inches. _ 3 


301—Parir or Iratian CotorEpD MarsitE Memoria Tas- 


LETS Style of Seventeenth Century — 3 


Rectangular panels, occupied by figures of sorrowing 
Amorini with inverted torches. Partially colored. 


Height, 2 feet 4 inches; width, 1 foot 2 inches. 


302—Iratian Marsie Tonno Style of Sixteenth Century 


Circular-medallion, carved, in low relief, with a half- 
length figure of the Virgin standing and supporting 
the undraped Child Christ. Above are two four- 
winged cherubim. Surrounded by a banded wreath of 


fruits and leaves in low relief. 
Diameter, 35 inches. 


Second and Last Afternoon 


303—Iratian Carvep Limesronr Maponna 
Style of Sixteenth Century 
Seated figure of Virgin, crowned and supporting the 
Child Christ on her left arm. On throne with drapery 
back, late Gothic arched top and flanked by square 
_ quatrefoil paneled Gothic pilasters. On molded base. 


Height, 30 inches; width, 21 inches. 


304—Sert or Four Limestone Garpen Ficures 


Standing figures of Putti holding grapes and a floral 
garland. On circular bases. 


Height, 2 feet 11 inches. 


305—Irarian Marsie Bencu 
Rectangular molded seat on two lyre-shaped sup- 
ports carved with masks and volutes. Cushion, to fit 
seat, covered with crimson velvet. 


Height, 1 foot 9 inches; length, 7 feet 6 inches. 


BOOKS 


306—Wetuts (H. G.). The Sea Lady. First Edition. 
London, 1902; SHipman (L. E.). Urban Dia- 
logues; Witiramson (C. N.). The Lightning 
Conductor; Morris (Cxara). <A Silent Singer; 
Lyncu (Hannan). Autobiography of a Child. 
Sunuivan (T. R.). Day and Night Stories, and 
others. All cloth. Together, 19 vols. 

All the above contain either the book-plate of Clyde Fitch 
or his autograph, some both. The volumes by L. E. Ship- 
man and T. R. Sullivan are autograph presentation copies 
from the authors. 


Second and Last Afternoon 


307—Suuuivan (T. R.). Tom Sylvester; Wiitxins (Mary 
E.). Silence; AusTEN (JANE). Pride and Predju- 
dice, [and] Sense and Sensibility and Persuasion; 
JamMEs (Henry). What Maisie Knew; Morrison 
(ArtHuR). The Hole in the Wall. First Edi- 
tion, 1902; Losstne (B. J.). The Two Spies; 
Le GaLuENNE (Ricuarp). The Book-Bills of 
Narcissus; SuapeN (D. B. W.). A Poetry of 
Exiles; Bexri (Arcuie). The Bermudian, and 
others. Cloth, 1 paper. ‘Together, 14 vols. 
All the above contain either the book-plate of Clyde Fitch 
or his autograph, some both. The volumes by A. Bell and 
D. B. W. Sladen are autograph presentation copies from the 
author, the former with a lengthy autograph inscription. 


The volume by T. R. Sullivan is presentation copy “With 
regards of the author.” 


308—JEROME (JEROME K.). Stage Land; Hopzs (JoHn 
O.). A Bundle of Life; James (Henry). The 
Lesson of the Master; Letanp (CHarues G.). 
Legends of Florence; Camrron (Mrs. H. L.). In 
A Grass Country; Hunrer (C. B.). The Eloping 
Maharani; Hoop (THomas). Humorous Poems, 
and others. Various bindings. Together, 29 
vols. 


All the above contain either the book-plate of Clyde Fitch 
or his autograph, some both. The volume by C. B. Hunter 
is “With the compliments of the author” and the volume 
by Mrs. Cameron has autograph and inscription from the 
author. 


Second and Last Afternoon 


309—Moore (GrEorcE). The Confessions of a Young Man; 


GREENWOOD (James). The Prisoner in the Dock; 
ApvE (GerorcE). More Fables; Herrick (Ros- 
ERT). Their Child; Biczetow (E. H.). Ameri- 
can Sonnets; Brown (JoHn). Rab and His 
Friends, and others. All cloth. Together, 20 
vols. 

All the above contain either the book-plate of Clyde Fitch 
or his autograph, some both. The volumes by E. H. Bigelow 


and Robert Herrick are autograph presentation copies from 
the authors. 


310—-WHarTON (Epiri). The Valley of Decision. 2 


vols.; Atren (James Lane). The Increasing 
Purpose; Kiprine (Rupyarp). The Day’s Work, 
[and] ‘Traffics and Discoveries; Tarxincron 
(Bootn). Monsieur Beaucaire; Herrick (Ros- 
ERT). The Common Lot; Davis (RicHarp Harp- 
inc). In The Fog, and others. All cloth. To- 
gether, 20 vols. 


All the above contain either the book-plate of Clyde Fitch 
or his autograph, some both. The volume by Robert Her- 
rick is a presentation copy from the author. 


311—Emerson (W.G.). Buell Hampton; Varney (G. L.). 


Favorite Poems of Famous People; Moszs (M. J.). 
The American Dramatist; BarcHEeLier (T. B.). 
Glimpses of Italian Court Life, and others. 9 
vols. in cloth, 1 vol. in wrappers. Together, 10 
vols. 

Mainly presentation copies to Mrs. Fitch, some from 
the authors of the volumes. Last named is an autograph 


presentation copy from Clyde Fitch to his mother, Mrs. 
William G. Fitch. 


Second and Last Afternoon 


312—Howetts (W. D.). Their Silver Wedding Journey; 
Lams (CuHartes). The Essays of Elia; Le Gatr- 
LIENNE (Ricuarp). The Religion of a Literary 
Man; Apams (Oscar Fay). Chapters from Jane 
Austen; Stosson (A. T.). Fishin’ Jimmy; Lort- 
MER (Norma). By the Waters of Sicily, and 
others. All cloth. Together, 19 vols. 


All the above contain either the book-plate of Clyde Fitch 
or his autograph, some both. The volumes by O. F. Adams 
and Richard Le Gallienne are presentation copies from the 
author. 


dg 
i 


Pg hms ys  repsaabeacates ee | y . 


: seapgaees 


Ne = 


313—Kwarp (O. G.). An Artist’s Love; Gowrr (F. L.). 
Bygone Years; Kiprinc (Rupyarp). The Five 
Nations, [and] Many Inventions; Rawurnes 
(R. G.). The Yankee Drummer Abroad; Fryp- 
LATER (Mary). ‘The House of Joy; Herrick 
(Rozserr). Memoirs of an American Citizen, and 
others. ‘Together, 15 vols. 


All the above contain either the book-plate of Clyde Fitch 
or his autograph, some both. The volumes by Robert Her- 
rick and R. G. Rawlings are autograph presentation copies 
with inscription. 


314—Witpe (Oscar). Decorative Art in America; 
CrowE (Eyre). With Thackeray in America; 
Masters In Art. 21 issues; THe EVERGREEN, 
1895; PuHetps (E. S.). The Madonna of the 
Tubs; CaTaALOGUE OF THE AMERICAN PiLay Com- 
PANY, with Original Casts, 1908; CLemeEns (S. L.). 
The Gilded Age, [and] Roughing It, and others. 
Together, 69 vols. or pieces. 


All the above contain either the book-plate of Clyde Fitch 
or his autograph, some both. 


a AMERICAN ART ASSOCIATION, 


a, MANAGERS. 
AS E. KIRBY, : 
ee _ AUCTIONEER. | : 
a : : 
ee | a 
ee ee tS 
3 Ae : 


as 


FOR INHERITANCE TAX 


AND OTHER PURPOSES 


_ THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


INTELLIGENT APPRAISEMENTS 
: ee OF 


| 2 ART AND LITERARY PROPERTY 
JEWELS AND PERSONAL EFFECTS OF EVERY 
| DESCRIPTION 


IN CASES WHERE 


PUBLIC SALES ARE EFFECTED 


Pevoememnal CHARGE’ ONLY WILL BE MADE 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 
NEW YORK 
TELEPHONE, 3346 GRAMERCY 


COMPOSITION, PRESSWORK 
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